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Concert Review: Stephen Pearcy (04/27/13)
Stephen Pearcy
Opening Act: A New Way To Live Forever
Saturday, 4/27/13
Club L.A. in Destin, FL
This was my first concert at Club L.A. out in Destin, Florida. I’m pleasantly surprised that a venue like this exists in a beachtown that likes to project a clean image for the families that visit in the summer. Of course, spring break is an entirely different tale of debauchery but the City of Destin doesn’t want anyone to know about that!
Doors opened at 7:30PM but I didn’t end up getting to the show until a bit after 8PM. I was thinking we’ve might’ve at least missed the start of the opening act but the bartender told us there was an issue with one of their amps so they were going on late. It was probably 8:30 or so when Fort Lauderdale’s A New Way To Live Forever took the stage.
ANWTLF plays in a style that’s grounded in ’90s rock. On their Facebook page, some of the bands they list as being fans of or being influenced by are Sunny Day Real Estate, Nirvana, The Cure, Smashing Pumpkins, Lenny Kravitz, Foo Fighters, Kings of Leon and Muse. Although I didn’t keep tabs on their setlist, they played for a good amount of time. I’d imagine probably 45 minutes or so at least and I think they closed with “California Waiting” by Kings of Leon. It was a decent set. This type of rock music isn’t really my thing but there were a few good songs in the bunch. The music of A New Way To Live Forever is definitely worlds away from Ratt ‘n’ roll! They seemed like a cool group of guys though. They hung out after their set for photos and autographs and to sell their CD. They even stayed around to drink beer, shoot pool and watch Pearcy’s set.
But now to the main event: Stephen Pearcy! I haven’t been able to find any info on who the members of his “Ratt Bastards” solo band are other than guitarist Erik Ferentinos. The show was by no means a sell-out. It’s a decent sized club and I’d bet by the time Pearcy played there was maybe 200 people there. As Pearcy said, “It doesn’t matter whether to me whether it’s 10 people or 10,000 people. It’s all a party!” Most of the crowd was as close to the stage as possible for Stephen’s entire set and they were into the show with fists in the air and singing along to every word.
I remember years ago the internet bashing Stephen Pearcy’s live performances pretty bad, posting them on YouTube and whatnot. I personally thought he gave a good performance on Saturday night. Yeah, his voice isn’t as strong as it once was but when you sing in that gritty nasally style that he does and you’re in your mid-50s, you’re not going to sound like you did on Out of the Cellar! Guys like Pearcy, Bret Michaels and Vince Neil catch a lot of flak for their live performances but considering their age and style of music they play, they do fine. It’s rock ‘n’ roll, not opera! It’s the spirit that matters, I don’t care if they can’t hit every note live.
Stephen Pearcy’s setlist:
Lay It Down
You’re In Love
Lack of Communication
Wanted Man
Slip of the Lip
I’m Insane
You Think You’re Tough
Way Cool Jr.
U Got It
Sweet Cheater
Body Talk
Heading Out to the Highway [Judas Priest cover]
Back For More
Round And Round
As you can see, Pearcy played pretty much all of the hits you’d want if you went to see a Ratt show. I was hoping he’d play “Best of Me”, which was the single from 2010′s Infestation, but I can understand why he didn’t since it’s hard to count that as a “hit” for Ratt. I was actually quite surprised he didn’t throw in any Arcade or solo stuff. His solo material is a bit too industrial & alternative for me but I wouldn’t have minded it at all if he tossed in anything from the first Arcade record. That’s a great album.
For $15, I discovered one decent band and got to see a hair metal legend sing all of his hits from Ratt. Not a bad night at all. Well worth the money if Stephen Pearcy ever comes near your town.
Skid Row – United World Rebellion: Chapter One [Review]
Skid Row – United World Rebellion: Chapter One
2013, Megaforce Records
1. Kings of Demolition
2. Let’s Go
3. This Is Killing Me
4. Get Up
5. Stitches
Band:
Johnny Solinger – Lead Vocals
Dave “Snake” Sabo – Guitar, Backing Vocals
Scotti Hill – Guitar
Rachel Bolan – Bass, Backing Vocals
Rob Hammersmith – Drums
Producer: Dave “Snake” Sabo
Skid Row is one of the few name hair bands that hasn’t constantly been doing the tour/record/tour thing. Seems like they took a few years off even from touring, for some reason. I was starting to think that maybe there would never any new music from them since their first two albums with Johnny Solinger didn’t receive the highest of praise. I’ve always felt Sebastian Bach’s voice was what truly made the band special anyway. Yeah, they’ve written some great songs but other than Slave to the Grind, I don’t think they’ve ever written an entirely great album.
Still, when I read that Skid Row were going to release some new music (the plan is multiple EPs over the next year and a half or so), I had a good feeling about the album. I think the band is aware that people were not entirely enthusiastic with the previous Solinger albums and I felt they would proceed with that in mind. I actually think the cover for this EP is very striking as well and somehow (even though you shouldn’t judge an album by its cover) it gave me further hope.
Skid Row was always one of the darker and heavier hair bands (they eventually made the complete transfer from hair metal band to heavy metal band) and things are no different on United World Rebellion: Chapter One. This is solid 1980s sounding heavy metal full or anger and pessimism (as if you couldn’t tell by the EP’s title or cover art).
The only song that really doesn’t work for me is the ballad called “This Is Killing Me”. It’s a very simple, no-frills, lifeless ballad. Quite frankly, it sounds like something that Bret Michaels would write and record. The other four tracks are songs that I think fans of Slave to the Grind and Subhuman Race can appreciate. I’ve read comments elsewhere of someone complaining that this EP is trying too hard to sound modern. I don’t get that at all. Sound likes good late ’80s/early ’90s metal to me.
I’m very interested in hearing how the rest of the EPs are going to sound. I actually like this model of recording a lot. I’ve felt for awhile that older artists should mostly stick to releasing EPs and then compile them at a later date as a full album (as Skid Row plans on doing). I think too much time, effort and money goes into recording full albums for these bands who, let’s be honest, aren’t going to sell many albums in the first place. Slowly releasing EPs and then compiling them into an LP is a great way to keep your name out there and cut down on costs. Knock out five or six songs, go make some tour money during the summer, come back and knock out another five or six songs, repeat.
Highlights: “Kings of Demolition”, “Get Up”, “Stitches”
http:/www.skidrow.com
http://www.facebook.com/OfficialSkidRow
Buy the EP at Amazon.com
De La Cruz- Street Level [Review]
De La Cruz – Street Level
2013, Frontiers Recods
1. Street Level
2. Girls Go Wild
3. Turn It Up
4. Legions Of Love
5. Gimme Love
6. Cherry Bomb
7. Dreaming
8. Invincible
9. Worlds Collide
10. S.E.X.
11. Set The Night
12. Shine
Band:
Roxxi Catalano – Vocals
Casey Jones – Guitar
Rory Joy – Guitar
Grant Daniell – Bass
Lacey Lane – Drums
Producer: Casey Jones
There was much anticipation from me for this album. There was a lot of promise being shown on the band’s self-titled (and self-released) EP from 2011. It was the perfect mix of glam-metal and pop with a number of truly memorable songs.
With Street Level, the band seems to have gotten a bit sleazier and a bit heavier for a few numbers but you can still firmly place them in the realm of glam-metal. Unsurprisingly, I think their best moments are when they keep it more poppy & melodic or Def Leppard-y (if you will) with songs such as “Gimme Love”, “Dreaming” and “Worlds Collide”. These are the songs that would’ve sounded just fine on the band’s self-titled EP. That’s not to say these guys don’t know how to rock though. “Street Level”, “Girls Go Wild”, “Cherry Bomb” and “S.E.X” are fine examples of hard-hitting sleaze metal.
While the production and musicianship is still top-notch, the album doesn’t entirely live up to the promise that their incredibly catchy EP showed. It’s a catchy album, hooks a’plenty, but even the best songs here aren’t quite on level with “Lust Fame Money”, “Back To The ’80s”, “Good As It Gets” or “Fire Inside” (“Invincible” is a re-working of this song though). Still, Street Level is a very fun collection of glam & sleaze that’s sure to please fans of Def Leppard, Bon Jovi, Steel Panther, Crashdiet, Reckless Love and Crazy Lixx.
Highlights: “Street Level”, “Girls Go Wild”, “Gimme Love”, “Cherry Bomb”, “Dreaming”, “Worlds Collide”, “S.E.X.”
http://www.DeLaCruzOfficial.com
http://www.facebook.com/DeLaCruzAustralia
Transformers: The Movie – OST (20th Anniversary Special Edition) [Review]
Transformers: The Movie – Original Motion Picture Soundtrack [20th Anniversary Special Edition]
2007, Volcano Entertainment
(Original Release: 1987, Scotti Brothers Records)
1. “The Touch” (Stan Bush)
2. “Instruments Of Destruction” (N.R.G.)
3. “Death Of Optimus Prime” (Vince DiCola)
4. “Dare” (Stan Bush)
5. “Nothin’s Gonna Stand In Our Way” (Spectre General)
6. “The Transformers Theme” (Lion)
7. “Escape” (Vince DiCola)
8. “Hunger” (Spectre General)
9. “Autobot/Decepticon Battle” (Vince DiCola)
10. “Dare To Be Stupid” (“Weird Al” Yankovic)
11. “Unicron Medley” (Vince DiCola)
12. “Moon Base 2 – Shuttle Launch” (Vince DiCola)
13. “Megatron Must Be Stopped (Parts 1 & 2)” (Vince DiCola)
14. “The Transformers Theme [Alternate Version]” (Stan Bush)
I was a big Transformers fan back in the 1980s. In some respects, I still am, it’s just that I think the Michael Bay movies are terrible so I gave up on that film series after the second movie. 1986′s Transformers: The Movie still remains the best TF movie yet, IMO. Even if they pretty much killed off the entire classic roster of Autobots and replaced them within the span of 90 minutes or so. For my further thoughts on that controversial movie, check out the review I posted at my other blog. Just like the movie, the soundtrack is a big dumb mess (in a good way). It’s a mix of melodic rock, hair metal, instrumentals and Weird Al.
Stan Bush’s “The Touch” and “Dare” have always received high praise from AOR fans but I’ve struggled for years to understand how their connection with this movie was appropriate. Even as a kid when watching the movie, I didn’t really see what “The Touch” had to do with a battle scene. Weird Al Yankovic’s “Dare to Be Stupid” seems even less appropriate during a Autobot/Decepticon battle unless it’s meant to be some kind of commentary on how senseless violence is (I highly doubt this is the case though). On their own, these three songs are actually not bad. They just don’t seem appropriate for the scenes which they were used in during the film.
Now, onto the really good stuff. Kicking things off with a harder edge than Stan Bush could is NRG’s “Instruments of Destruction”. Great ’80s metal track. I love it. Though a legit band, this song seems to be their one moment of glory in the music world. Shame. Then we have two tracks from Spectre General: “Nothin’s Gonna Stand In Our Way” and “Hunger” (which later covered by King Kobra). Spectre General is actually Kick Axe but for legal reasons (I don’t know the details) they recorded as Spectre General for this soundtrack.
Album art for the 1986 release
And then we have the best track on the entire album and I’m not kidding when I say it’s one of my favorite songs of all-time… “The Transformers Theme” by Lion! Lion was a glam metal act that is also best known for their participation on this but they are also known for having been one of the earliest bands for guitarist Doug Aldrich (Whitesnake/Dio/Burning Rain). The song is played during the opening credits and it’s a great way to kick off the movie. It’s a glammed up heavy metal version of the Transformers theme.
The rest of the tracks are very ’80s sounding electronic rock instrumentals that were heard in the movie and were composed by Vince DiCola. Most, if not all, of these instrumentals would go on to be used as background music during seasons three & four of the Transformers cartoon. Tracks 11-14 are exclusive to the anniversary edition of this album. Tracks 11, 12 & 13 are supposedly brand new scores (according to Wikipedia) but I’m pretty sure they can be heard in the movie. Track 14 is an alternate take of “The Transformers Theme” featuring Stan Bush. I really can’t stress enough how good DiCola’s score is. It ranges from upbeat and energetic to somber and haunting to foreboding.
Weird Al and Stan Bush still seem a bit out of place to me but the rest of the album is a great ’80s mix of metal and electronic rock. This is a fun soundtrack that really takes me back to my childhood and also brings back images of the movie itself. One of my all-time favorite soundtracks.
Great White – 30 Years: Live from the Sunset Strip [Review]
Great White – 30 Years: Live from the Sunset Strip
2013, Frontiers Records
1. Desert Moon
2. Lady Red Light
3. Face The Day
4. House Of Broken Love
5. Save Your Love
6. Mista Bone
7. The Big Goodbye
8. Back To The Rhythm
9. Rock Me
10. Can’t Shake It
11. Once Bitten Twice Shy
Band:
Terry Ilous – Vocals
Mark Kendall – Guitar
Michael Lardie – Guitar, Keyboards
Scott Snyder – Bass
Audie Desbrow – Drums
Producer: Great White
Recorded at L.A.’s legendary Key Club on March 22, 2012, this is the band’s fourth, fifth or sixth live album..? Who knows! Hey, I can’t keep up with all of their live releases because a number of them have been repackaged & re-titled over the years. I do know that this is Great White’s first live offering featuring former XYZ singer Terry Ilous as the frontman.
This is basically a live greatest hits. Though I’m a little surprised that they included “Back to the Rhythm” from 2007′s Back to the Rhythm album but didn’t include anything from 2009′s Rising. I would’ve assumed that they would have focused on their ’80s/early ’90s material entirely anyway. The absence of Elation material is somewhat understandable because that album wasn’t released until May 2012.
Although Jack Russell was much missed on Elation, I think Terry does a great job handling some of the band’s classics in a live setting. I still pick up that Jack Russell/Steven Tyler vibe from his vocals and while Jack Russell will always be THE voice of Great White, I can’t knock Terry Ilous’ abilities at all. With the departure of Jack Russell, I think Terry was a great choice for lead singer and 30 Years: Live from the Sunset Strip further proves it.
The production on this album isn’t great but it’s fine considering the budget probably was pretty tight. I’ve heard a lot worse. The crowd seems a bit low-key at times but I guess you can chalk that up to the production and the fact that it’s a club audience.
And say what you will about Terry Ilous, the band is on fire. Sometimes you hear a band live and they don’t come close to replicating the work they did in the studio but Great White is a real band that cut their teeth playing dives & bars in the early years. They’ve got the chops to back up what they put on tape.
Although I’m generally not a fan of live albums, 30 Years is a good snapshot of the Terry Ilous-front Great White.
http://greatwhiterocks.com/
http://www.facebook.com/GreatWhiteOfficial
De La Cruz [Review]
De La Cruz
2011, self-released
1. Good As It Gets
2. Lust Fame Money
3. Runaway
4. Back To The 80′s
5. Fire Inside
6. De La Cruz
Band:
Roxxi Catalano – Vocals
Casey Jones – Guitar
Rory Joy – Guitar
Grant Daniell – Bass
Lacey Lane – Drums
Produced by: Casey Jones
De La Cruz describe themselves as an “80′s influenced, riff-powered Arena Rock band from the Gold Coast, Australia!!” I can’t argue with that. With obvious influences like Def Leppard, KISS, Motley Crue and Van Halen, the band’s self-released EP is insanely good.
Released as a free download through the band’s Facebook, this self-titled EP has very strong production values and each song is so catchy. Like their influences, De La Cruz knows how to effortlessly blend hard rock with pop hooks. These guys are right up there with Reckless Love and Steel Panther as one of the best modern pop-metal acts around right now. “Lust Fame Money” is a pop-metal masterpiece.
Now that the band is signed to Frontiers Records (the perfect home for them as far as I’m concerned), I’m very anxious to hear what the band has come up with.
Highlights: “Good As It Gets”, “Lust Fame Money”, “Back To The 80′s”, “Fire Inside”
http://www.facebook.com/DeLaCruzAustralia
http://www.delacruzofficial.com/
Crashdiet – The Savage Playground [Review]
Crashdiet – The Savage Playground
2013, Frontiers Records
1. Change The World
2. Cocaine Cowboys
3. Anarchy
4. California
5. Lickin’ Dog
6. Circus
7. Sin City
8. Got A Reason
9. Drinkin’ Without You
10. Snakes In Paradise
11. Damaged Kid
12. Excited
13. Garden of Babylon
Band:
Simon Cruz – Vocals
Martin Sweet – Guitar
Peter London – Bass
Eric Young – Drums
Producer: Otto Welton
Crashdiet’s fourth album is their best yet. I’ve always enjoyed what I’ve heard from these guys but The Savage Playground seems to take matters to another level. I hate to use the word “mature” when talking about a group of sleaze rockers but that’s exactly the band has done — matured. At least in regards to their songwriting. Don’t misunderstand me, they aren’t writing to make you think with song titles like “Cocaine Cowboys”, “Anarchy”, “Lickin’ Dog” (which sounds like a Babylon A.D. song), “Sin City” and “Drinkin’ Without You”. The band can still bring the sleaze attitude but I really think the band’s sense of melody has improved and Simon Cruz continues to grow as a vocalist. That’s a good thing because it starts to separate them from the rest of the sleaze rock pack.
They’ve started to expand ever-so-slightly with their songs. While “Cocaine Cowboys” and “Anarchy” are total glamfests, “California” seems a bit more modern, melodic & radio-ready and “Garden of Babylon” is a no-frills 7 minute heavy metal number with enough twists & turns to keep you interested. “Damaged Kid” is another track that has a modern vibe to it at times.
There’s a few tracks that I would classify as filler. “Circus”, “Sin City” and “Snakes In Paradise” could’ve been left off the album, in my opinion, but the rest of the album is enjoyable through and through. The first four songs and then the album’s closer are just fantastic glam metal. “California” especially. That song is addictive.
All told, The Savage Playground shows us that the band is growing as musicians. They aren’t as snotty as before but they are still delivering the hooks & choruses needed to deliver a fun glam-metal album. I’ve seen some online reviews write this album off as as a step down in quality but as far as I’m concerned, this is the best album the band has released yet.
Highlights: “Change the World”, “Cocaine Cowboys”, “Anarchy”, “California”, “Lickin’ Dog”, “Garden of Babylon”
http://www.facebook.com/realcrashdiet/
http://www.crashdiet.org/
Richie Sambora – Aftermath of the Lowdown [Review]
Richie Sambora – Aftermath of the Lowdown
(2012, Aggressive Music/Dangerbird Records)
1. Burn That Candle Down
2. Every Road Leads Home to You
3. Taking a Chance On the Wind
4. Nowadays
5. Weathering the Storm
6. Sugar Daddy
7. I’ll Always Walk Beside You
8. Seven Years Gone
9. Learning How to Fly With a Broken Wing
10. You Can Only Get So High
11. World
Musicians:
Richie Sambora – Lead Vocals, Guitar
Rusty Anderson – Guitar
Curt Schneider – Bass
Aaron Sterling – Drums
Luke Ebbin – Keyboards, Backing Vocals
Roger Joseph Manning, Jr. – Keyboards
Matt Rollings – Organ, Piano
Producer: Richie Sambora & Luke Ebbin
Richie’s third solo effort but 14 years since the previous release, Richie Sambora has seen fit unleashed Aftermath of the Lowdown on the world. Probably an outlet for songs he knows Jon would never allow on a Bon Jovi album though there are a few tracks here I could see making it like the lead single “Every Road Leads Home to You”, “Learning to Fly with a Broken Wing” and the ballad “Seven Years Gone”.
The album is kind of all over the place in terms of style. “Burn That Candle Down” has a 1970s Hendrix/Deep Purple vibe to it, “Every Road Leads Home to You” is pure Bon Jovi (you can definitely hear Jon singing this one), “Taking a Chance on the Wind” is rock ‘n’ roll with some soul behind it, “Nowadays” is somewhat punky & poppy, ”I’ll Always Walk Beside You” sounds like Coldplay, “World” sounds like Bowie, etc.
“Weathering the Storm” is another song that sounds similar to modern Bon Jovi. Richie even seems like he’s trying to sound like Jon so I’m assuming maybe this was written with Bon Jovi in mind. It was co-written with Bernie Taupin though, who is a long-time collaborator with Elton John.
Don’t get me wrong though, I like Jon Bon Jovi’s voice but Richie is a better singer. “Every Road Leads Home to You” and “Seven Years Gone” wouldn’t be nearly as good without Richie’s powerful, emotional soulful performances.
Even if the sounds may have been inspired by other acts, some of these songs just have to be autobiographical lyrically such as “You Can Only Get So High” and maybe even the album title itself. Richie had some alcohol issues in recent years so other than recording songs that may have not been recorded anywhere else, I’m sure this album was very cathartic for him in dealing with his alcoholism and relationship troubles.
It’s a good album and while there are some similarities to Bon Jovi with a couple of songs, there’s enough variety here and true bluesy emotion coming through Richie so that the album doesn’t come off like a bunch of unreleased Bon Jovi tracks.
Highlights: “Burn That Candle Down”, “Every Road Leads Home to You”, “I’ll Always Walk Beside You”, “Seven Years Gone”, “You Can Only Get So High”, “World”
www.richiesambora.com
www.facebook.com/TheRealSambora
Buy the album at Amazon.com
Dokken – Broken Bones [Review]
Dokken – Broken Bones
2012, Frontiers Records
1. “Empire” 3:33
2. “Broken Bones” 4:54
3. “Best of Me” 4:18
4. “Blind” 3:23
5. “Waterfall” 2:48
6. “Victim of the Crime” 4:30
7. “Burning Tears” 4:41
8. “Today” 4:20
9. “For the Last Time” 3:58
10. “Fade Away” 3:46
11. “Tonight”
Band:
Don Dokken – Lead Vocals
Jon Levin – Gutair
Sean McNabb – Guitar
Mick Brown – Drums, Backing Vocals
Producer: Dokken
Sure, they’ve written some good songs but overall when it came to Dokken, I could always take ‘em or leave ‘em. I gave their last album (Lightning Strikes Again) a shot and ended up thinking it was a solid release (it has grown on me more than my review at the time implies it would) so I was more than happy to sample Broken Bones despite the album cover making me think this was the latest effort from Running Wild.
One thing I’m happy to report is that despite being 31 years and 11 studio albums into their career, Dokken is still serving up melodic metal without showing their age or sounding long in the tooth. Yes, I am aware that only half of the classic Dokken line-up is here but that foursome hasn’t played together since 1997 and newer members Levin & McNabb do just fine filling out the roster. Even Don’s voice is holding up quite well and doesn’t seem to strain as much as it did on their previous release.
Broken Bones will appeal to the old school Dokken fans That classic sound is here (though maybe slightly heavier) and it’s the perfect companion to Lightning Strikes Again. To be fair, some filler slips through such as “Waterfall” and “Blind” but I’ve always felt filler was pretty much a given when it comes to this band.
Don’t get me wrong, this IS a good album. “Empire” is heavy and the best choice to open the album, “Broken Bones” are “Fade Away” are classic Dokken, “Today” is a pleasantly different type of ballad I would not have a expected from this band, almost New Age sounding, “Best of Me” sticks in your head and “For The Last Time” also has a classic sound while adding some great melodic moments as well.
Another enjoyable effort from these guys. Dokken fans shouldn’t miss out and won’t be disappointed.
Highlights: ”Empire”, “Broken Bones”, “Best of Me”, “Victim of the Crime”, “Today”, “For The Last Time”, “Tonight”.
http://www.dokkencentral.com/
http://www.facebook.com/DokkenBand
Million Dollar Reload – A Sinner’s Saint [Album Review]
Million $ Reload – A Sinner’s Saint
(2012, Frontiers Records)
1. Fight The System … 3:20
2. Bullets In The Sky … 4:40
3. Blow Me Away … 3:53
4. Can’t Tie Me Down … 3:48
5. Broken … 5:55
6. I Am The Rapture … 4:53
7. Wicked … 4:13
8. Smoke ‘N Mirrors … 4:28
9. Headrush … 3:36
10. Pretty People … 4:46
11. It Ain’t Over … 3:50
Band:
Phil Conlon – Lead Vocals
Andy Mackle – Guitars
Brian Mallon – Guitars
Kie McMurray – Bass
Sean McKernan – Drums
Producer: Neal Calderwood
I had heard good things about these Belfast rockers in the past. Their debut album Anthems of A Degeneration was released in 2008 but it wasn’t until 2010 when that debut was reissued that the band got on my radar. With shame I admit that Anthems of a Degeneration has remained on my Amazon wishlist ever since but at least I have been able to check out their sophomore effort A Sinner’s Saint.
Million Dollar Reload (or Million $ Reload, if you prefer) are a straight-ahead, balls out rock band. Their sound is built upon foundation of blues-influenced classic hard rock acts such as Aerosmith and AC/DC. They also have been influenced by sleaze rock. I think the best comparison would be Buckcherry. Both bands have some great crunchy sleazy AC/DC & GNR moments but both bands have the ability to add some melodic moments as well. Million $ Reload tends be more loud, in your face and stripped-down overall though. In that regard, this band also reminds me of Dirty Looks because other than “Broken” they just don’t let up with their own brand of catchy hooks and dirty bluesy sleaze. All of this while not sounding like a retro band that just stepped out of a hot tub time machine!
“Bullets In The Sky” is my favorite track. Stars off sounding like AC/DC then it turns into this great anti-war anthem: “I’ve seen your blood red war/I would do anything/I would give anything/To stop those bullets in the sky”. Good to see these guys have a bit of a conscience and aren’t just totally here to party. Another standout is the ballad “Broken”. Another fine example of melodic abilities this band possesses. It’s crazy how good these guys are. They should be out on tours with Buckcherry, Papa Roach, Guns ‘N Roses, KISS and Motley Crue.
M$R are a band you don’t want to miss out on. If you’re a fan of any of the bands I’ve already mentioned, give these guys a shot. A Sinner’s Saint is one of the better releases of the year from one of rock’s most promising young bands.
Highlights: “Bullets In The Sky”, “Blow Me Away”, “Broken”, “I Am The Rapture”, “Smoke N’ Mirrors”, “Pretty People”
http://www.milliondollarreload.com
http://www.facebook.com/pages/Million-Dollar-Reload-official/116605908365064
