Blog Archives
CellOut – Superstar Protoype
CellOut – Superstar Prototype (2010, Nuerra Records)
1. “Dark Days” … 4:30
2. “All My Demons Inside” … 3:20
3. “The Gift” … 3:50
4. “Flooded” … 5:12
5. “Set Things Straight” … 3:45
6. “Blow” … 3:58
7. “Breathe” … 3:33
8. “As I Fall” … 3:31
9. “Fake” … 3:52
10. “In My Arms” … 4:06
11. “The Tragedy In You” … 3:55
Band:
Percy Mejhagen – Vocals, Guitar
Robert Monegrim – Guitar, Backing Vocals
Anders Sevebo – Bass, Backing Vocals
Martin Karlsson – Drums
Producer: Cellout & Michael Phelan
Sweden’s CellOut is a band that I think could really achieve some success in the United States if given half the chance. The band finds a great balance between being melodic and being heavy. That’s a product of vocalist Percy Mejhagen’s early influences such as Korn, Pantera & Sepultura and guitarist Robert Monegrim’s melodic rock influences. The album was mixed by Ulrich Wild (who has worked with Pantera, Deftones & Static-X). So CellOut are most certainly a band for modern times (I would place them under the broad “alternative rock/metal” category) which is why I think they tons of potential stateside.
While songs like “Dark Days” and “Flooded” have plenty of radio appeal, “Set Things Straight”, “Breathe” and “Fake” are heavy and brutal enough to please those they might be jaded by such commercialism. Personally, it’s the albums more melodica moments that I like best. And for my money, the band puts their best foot forward at the beginning of the album. “Dark Days”, “All My Demons Inside”, “The Gift” and “Flooded” are prime examples of GOOD catchy modern rock/metal tunes. See, this is the kind of stuff that would happily keep me listening to the radio.
You know how I know I’m really liking an album? I check out the lyrics. That is, if they are provided and luckily they are (lyrics should be a standard part of album packaging, get it together people): “I never wanted you to say ‘I’m sorry’/Hell no, dark days are far from gone/I never wanted you to say ‘I’m sorry’/Hell no, it’s all around/You can’t escape it”. Perhaps a bit emo if coming from one of Hot Topic’s favorite bands but when it’s coming from the pummeling and hooky opener “Dark Days”, I found yourself energized and singing along.
Superstar Protoype is a “must listen” for fans of Disturbed, Linkin Park, Korn, Static-X, etc.
Highlights: “Dark Days”, “All My Demons Inside”, “The Gift”, “Flooded”, “As I Fall”
http://www.celloutonline.com
http://www.facebook.com/CellOutband
http://www.myspace.com/cellout
Animal Confession – Animal Confession
Animal Confession (2011, self-released)
1. “A Thousand Lies” … 3:55
2. “Light My Way” … 4:28
3. “Drown In You” … 4:37
Musicians:
Andrew Gharib – Vocals, Guitar
Sean Finnegan – Bass
Mike Hogg – Drums
Producer: Andrew Gharib and Chris Crerar
Animal Confession is an alternative/ambient rock group based out of Ottawa, Canada. It is the brainchild of the band’s sole member – Andrew Gharib. On this three song EP, the influences are obvious: Tool, the Deftones, A Perfect Circle, Nine Inch Nails, etc. Gharib himself notes U2 and Pink Floyd as an influence as well.
I’m finding that “A Thousand Lies” is my favorite of these three tracks. The guitars have crunch, the melody is there, the chorus is catchy. It was a wise choice to release this song as the single. The same can basically be said for “Light My Way”, which alternates between dreamy moments and guitar crunch. Next up is “Drown In You”, complete with some guitar distortion and again more melody. There’s a theme here — Gharib has done a great job of combining melody and heaviness. Neither is being sacrificed for the sake of the other. The album is dark, moody and there’s a psychedelic twist given it all as well.
Speaking of the man himself, Andrew’s vocals are absolutely fantastic. He does a great job letting the emotions come through in his voice whether he’s belting out the chorus or taking a low-key approach during some the the melancholy moments. The man definitely has a gift and is using that gift to its fullest potential on this EP.
I don’t follow the alternative scene much these days so I hate to even comment and what can/cannot be in this day and age but I can’t help but feel Gharib would’ve found some critical acclaim and commercial success in the alternative-friendly 1990s with songs such as these. Animal Confession is a “must listen” for fans of alternative music.
http://animalconfession.com/
http://www.facebook.com/pages/Animal-Confession/150622668283886
http://www.myspace.com/animalconfession
Madlife – Angry Sonnets for the Soul
Madlife – Angry Sonnets for the Soul (2011, RBE/Fontana)
1. “Little Ray Of Sunshine” … 3:34
2. “Everyone” … 3:32
3. “Be Tomorrow” … 3:48
4. “Falling Apart” … 4:01
5. “Feeling Alone” … 3:25
6. “I Hate” … 3:19
7. “Think I’m Dead” … 2:59
8. “Money” … 3:06
9. “There I Stand” … 3:53
10. “Tantrum Of A Giant” … 3:03
11. “Screaming People” … 2:57
Band:
Angry Phil – Vocals
Isaiah – Guitar
Jimmy Minj – Bass
Kylio – Drums
Producer: Evan 9
Now this was a pleasant surprise! When this album arrived in the mail, based on the description of Madlife being an industrial rock act, I wasn’t sure if I would like it. It’s not a scene I was ever a HUGE fan of but I did like some acts like Rob Zombie, Nine Inch Nails, Static-X, Linkin Park and Powerman 5000. Even Marilyn Manson (who Madlife has toured with) and Orgy put out at least one album that I liked but I haven’t seriously listened to any of those bands since the late ’90s/early ’00s. Out of all the bands I just mentioned, the closest I could comparison to Madlife is Powerman 5000. Though this band is certainly not ripping off PM5K, a lot of the beats in the songs brought that comparison to my mind… even before I realized this album was produced by Powerman 5000 guitarist Evan 9! I think “Falling Apart” is the most like Powerman 5000.
Madlife isn’t as heavy or as electronically offbeat as bands like NIN, Static-X or Manson. They’re much more melodic. The band really does a great job pulling all of their influences together and coming out with one sound. It’s melodic, it’s modern hard rock, it’s industrial. A number of these songs bring me back to when industrial acts were all rage because they sound exactly like songs from that era (not complaining) but there’s also a number of songs that could just as easily find their way onto radio like “Be Tomorrow”, “Screaming People” and the awesome “I Stand There”, which is by far my favorite song on the album. By the way, kudos to vocalist Angry Phil for not resorting to the ugly screaming that is often found in industrial bands. Phil’s vocals are clean and convey a variety of emotions, depending on the song.
In addition to Marilyn Manson, Madlife has toured with numerous modern metal acts like Bullet For My Valentine, Trivium and All That Remains. Coupled with the hooks and ready-radio songwriting talent found on Angry Sonnets for the Soul, Madlife could have a very successful future ahead of them. I’m glad I’ve been turned on to this band.
Highlights: “Little Ray Of Sunshine”, “Be Tomorrow”, “Falling Apart”, ”There I Stand”, ”Screaming People”
http://www.madlifemusic.com
http://www.facebook.com/Madlifemusic
http://www.myspace.com/madlife
MISSION: IMPOSSIBLE 2 – Music From and Inspired By
Mission: Impossible 2 – Music From and Inspired By (2000, Hollywood Records)
1. “Take a Look Around” – Limp Bizkit … 5:20
2. “I Disappear” – Metallica … 4:26
3. “Scum of the Earth” – Rob Zombie … 2:55
4. “They Came In” – Butthole Surfers … 4:42
5. “Rocket Science” – The Pimps … 3:30
6. “Have a Cigar” – Foo Fighters & Brian May … 4:02
7. “Mission 2000″ – Chris Cornell … 3:42
8. “Goin’ Down” – Godsmack … 3:23
9. “What ‘Chu Lookin’ At?” – Uncle Kracker … 5:11
10. “Backwards” – Apartment 26 … 3:09
11. “Karma” – Diffuser … 3:16
12. “Alone” – Buckcherry …3:23
13. “Immune” – Tinfed … 3:49
14. “My Kinda Scene” – Powderfinger … 4:26
15. “Carnival” – Tori Amos … 4:18
16. “Nyah” – Hans Zimmer & Heitor Pereira … 3:32
Ordered this one online for dirt cheap all because I wanted the Metallica and Buckcherry songs that were exclusive to this album.
A number of singles were released from this album: Limp Bizkit’s “Take a Look Around” (a rap-metal reworking of the Mission: Impossible theme), “I Disappear” and the Foo Fighters/Brian May cover of Pink Floyd’s “Have a Cigar” spring to mind. The local radio stations seemed to be all over the Limp Bizkit single (it was 2000, after all, and rap-metal was all the rage) and “I Disappear” received substantial play as well.
I love “I Disappear”. I think it’s one of Metallica’s best songs. Sure it’s not heavy metal but it’s a great hard rock tune and whenever I heard it on the radio I felt compelled to drive faster. Maybe the music video of James Hetfield speeding around had something to do with that!
Once again showing myself becoming ever more the completist, Buckcherry’s “Alone” is what truly made me decide to buy this album. I didn’t even realize they were on this soundtrack until recently and the song is exclusive to this soundtrack so I had to own this. It’s a pretty good tune, not a career highlight for the band, but I like it and it’s a lot better than most of the songs here.
As you can tell by looking at the artists involved, this is mostly an alternative rock/metal album with most acts turning in the usual generic songs that has come to be expected from soundtracks. Chris Cornell’s “Mission 2000″ is decent and despite the title, it’s not some type of remix or variation on the M:I theme — it’s a new, harder version of the song “Mission” which was on his excellent Euphoria Morning solo debut from the year previous.
To be honest, most of this soundtrack is garbage but I only spent a few bucks and got out of it what I expected to get out of it so I guess it’s not a total loss.
Highlights: “I Disappear”, “Have a Cigar”, “Mission 2000″, “Alone”
FILTER – The Trouble With Angels
Filter – The Trouble With Angels (2010, Rocket Science Ventures)
1. “The Inevitable Relapse” … 3:30
2. “Drug Boy” … 3:48
3. “Absentee Father” … 3:59
4. “No Love” … 4:21
5. “No Re-entry” … 5:40
6. “Down With Me” … 3:53
7. “Catch A Falling Knife” … 4:03
8. “The Trouble With Angels” … 3:53
9. “Clouds” … 3;34
10. “Fades Like A Photograph (Dead Angel)” … 4:25
Band:
Richard Patrick – Vocals, Guitar, Programming
Mitchell Marlow – Guitar
John Spiker – Bass, Guitar, Programming
Mika Fineo – Drums
Additional Musicians:
Yogi Lonich – Guitar
Bob Marlette – Keyboards
Bruce Somers, Rae Dileo – Programming
Producer: Bob Marlette
So I’m vaguely familiar with Filter. I know that Richard Patrick used to play in Trent Reznor’s touring version of Nine Inch Nails before going on to form his own band. “Hey Man, Nice Shot” is a great tune as is “Where Do We Go From Here” but their biggest hit “Take A Picture” was way too light and poppy for me. I’ve never sought out any of their albums and when this arrived in my mailbox I wasn’t sure if I was going to get an alternative rock/pop album or something harder and a bit more industrial. Either way, I wasn’t sure if I was going to like this album but with time to kill, it decided to pop it in and press play.
From the research I’ve done, The Trouble With Angels was a conscious effort by Richard Patrick to get back to a heavier more industrial sound. In other words, he wanted to get back to his roots (I’m told the last Filter album was a softer affair) and it has worked, in my opinion. Granted, as previously stated, I haven’t exactly followed Filter’s career but this sounds like their harder, alternative stuff of the past with the exception of “Fades Like A Memory (Dead Angel)” which seems to be trying to tap into the same mainstream appeal that “Take A Picture” had while simultaneously retaining some bite and being far, far better than that hit song. The original version of the song appeared on the soundtrack for the movie 2012 in 2009. I’m surprised it didn’t chart when it was released as a single from that soundtrack.
I keep mentioning (whenever I review an “alternative” band) that I’m not much of an alternative rock guy but I’ve really been enjoying some of the albums and bands I’ve been coming across lately that are outside my comfort zone. The Trouble With Angels has garnered much more play in my car and computer than I ever thought it would. I can only listen to so much industrial hard rock before it all starts sounding the same but there are more than enough hooks on this album to keep me and anyone else coming back for more. This album has been one of the year’s best surprises for me and it’s well worth seeking out for those that aren’t as narrow-minded as I usually am!
Highlights: “The Inevitable Relapse”, “Drug Boy”, “No Love”, “No Re-entry”, “Fades Like A Photograph (Dead Angel)”
LITA FORD – Wicked Wonderland
Lita Ford – Wicked Wonderland (2009, JLRG Entertainment)
1. “Crave” … 3:46
2. “Piece (Hell Yeah)” … 3:42
3. “Patriotic SOB” … 4:33
4. “Scream 4 Me” … 3:58
5. “Inside” … 4:13
6. “Wicked Wonderland” … 3:50
7. “Indulge” … 4:43
8. “Love” … 5:31
9. “Sacred” … 3:58
10. “Betrayal” … 4:34
11. “Truth” … 3:56
12. “Everything” … 3:36
13. “Bed” … 6:51
BONUS TRACKS
14. “Garden” … 4:06
15. Push” … 4:17
Musicians:
Lita Ford – Vocals, Lead Guitar
Jim Gillette – Vocals
Greg Hampton – Bass, Synth, Rhythm Guitar
Stet Howland – Drums (Tracks 2-10, 12-15)
Chris Collier – Drums (Tracks 1 & 11)
Produced by: Greg Hampton, Jim Gillette and Lita Ford
Okay, let’s get this out of the way — musically, this isn’t “Kiss Me Deadly” Lita Ford. If that’s what you were expecting and wanting, sorry, it’s not here. Pop-Metal Queen Lita is gone and has been replaced by a Lita Ford that owes more to Rob Zombie than Motley Crue (don’t worry, she’s still hot).
15 years ago, Lita walked away from the music industry to concentrate on her family life and she has returned with a sex-charged album that is heavier than anything she’s done before and many songs are in the industrial metal vibe. Her voice is still in top form, as is Jim Gillette’s voice (husband & former Nitro front man). Jim makes an appearance on all of the tracks either sharing co-vocals with Lita or providing backing vocals.
Once this album was announced, I was happily waiting for it. Then “Crave” was released online and to be honest, I didn’t care for it. I could not get Rob Zombie out of my head and it was not what I was expecting from her at all. After a few more listens, the song started to grow on me though. That’s basically what this whole album is — a grower.
I can understand where it would be hard for any die hard Lita/glam fan to immediately dive into this album with arms wide open. Speaking personally, after giving this album a few listens, I’ve been able to pick it apart and my “favorites” list of songs from this album is beginning to build. There’s some really good moments here and some nice guitar playing from Lita. The album does have three songs that immediately grabbed me though: “Piece (Hell Yeah)”, “Scream 4 Me” and the trippy ballad “Sacred”.
Even if this isn’t the sound people are expecting from Lita, you have to give her credit for staying true to herself and doing what feels right to her instead of half-heartedly trying to ride the nostalgia train in an attempt to give us the “classic sound”. My final verdict is that Wicked Wonderland is an unforeseen yet enjoyable journey into new terrain for the Metal Queen.
As a side note — I have to say I really love the artwork and the photos of Lita. It’s dark, it’s edgy, it’s rock ‘n’ roll and when you toss Lita into the mix, she gives the whole theme just the right amount of soft ‘n’ sexy.
Highlights: “Piece (Hell Yeah)”, “Scream 4 Me”, “Inside”, “Indulge”, “Love”, “Sacred”, “Bed”
www.litaxx.tv
www.myspace.com/litaford
ALICE COOPER – Brutal Planet
Alice Cooper – Brutal Planet (2000, Spitfire Records)
1. “Brutal Planet” … 4:40
2. “Wicked Young Man” … 3:50
3. “Sanctuary” … 4:00
4. “Blow Me a Kiss” … 3:18
5. “Eat Some More” … 4:36
6. “Pick Up the Bones” … 5:14
7. “Pessi-Mystic” … 4:56
8. “Gimme” … 4:46
9. “It’s the Little Things” … 4:11
10. “Take It Like a Woman” … 4:12
11. “Cold Machines” … 4:14
Band:
Alice Cooper – Vocals
Ryan Roxie – Guitar
China – Guitar
Phil X – Guitar
Bob Marlette – Bass, Keyboards, Guitar
Eric Singer – Drums
Produced by: Bob Marlette and Bob Ezrin
After 1994′s The Last Temptation, Alice took a six year break from recording (the longest in his career). The Last Temptation shook off the 80s pop metal of Trash, Constrictor, Hey Stoopid and Raise Your Fist and Yell and featured similarities to his 70s work, but in 2000, Alice’s “comeback”, Brutal Planet, was another shift in sound. This time a drastic one which had more in common with the industrial metal of Rob Zombie (Alice’s “pick” to be his successor, should he ever desire to step down from being the King of Shock Rock) than Bon Jovi or the original Alice Cooper band.
I remember “Brutal Planet” was made available for streaming and it took me awhile to get into it. Alice inspired Rob Zombie greatly, so it was sad and disappointing to see Alice trying to play catch up with the new generation by taking a stab at industrial metal, which was then a trendy sound for many young metal acts.
I listened to this album a lot when it came out, just because I was a huge fan of Alice, but I could not get over Alice’s new heavier sound. It just didn’t seem natural to me. 70s Alice, 80s Alice… Anything but industrial Alice! In the last few years though, I’ve come to really appreciate it for what it is. Personally, 80s Alice is my preference, but Brutal Planet has some great songs, even if they aren’t what I would consider to be Alice classics. The lyrics are great to boot and I remember many reviews at the time giving high praise to them, saying they are some of this best.
There’s a general sense of doom and pessimism (see “Pessi-Mystic”) to the album. There’s not a lot of Alice’s signature humor outside of “It’s the Little Things”. This is angry Alice. This is an Alice that’s a bit more serious and the album focuses on real world tragedies instead of his usual tongue-in-cheek macabre. This album is a different kind of Alice, but one that I’ve come to enjoy.
The one song that really sticks out just from the rest, for the fact that musically it is so different than the rest of the album, is “Take It Like a Woman”. It is just one of a few numbers Alice has done throughout the years that I consider to basically be follow-ups to his signature ballad “Only Women Bleed”.
There was a really great Alice song left off the album, and it too, did not fit in with the rest of the songs — “Can’t Sleep, Clowns Will Eat Me”. It definitely showed that fun, twisted side of Alice and sounded like a great fit for Trash or Hey Stoopid. It eventually ended up on international special editions of Dragontown.
On a superficial note, I’ve always hated the cover the and pictures of Alice the album had. Alice just didn’t look like Alice. He looked like a old bum. Maybe that’s what they were going for, but it didn’t work for me.
Highlights: “Brutal Planet”, “Sanctuary”, “Pick Up the Bones”, “Pessi-Mystic”, “Gimme”, “It’s the Little Things”, “Take It Like a Woman”
THE UNION UNDERGROUND – …An Education in Rebellion
The Union Underground – …An Education in Rebellion (2000, Columbia Records/Portrait Records)
Track Listing:
1. “An Education In Rebellion” [Instrumental] … 1:08
2. “Drivel” … 2:55
3. “South Texas Deathride” … 3:24
4. “Turn Me On ‘Mr. Deadman’” … 2:39
5. “Until You Crack” … 3:28
6. “Killing The Fly” … 3:45
7. “Natural High” … 3:26
8. “Revolution Man” … 3:40
9. “Trip With Jesus” … 3:26
10. “Bitter” … 3:53
11. “The Friend Song” … 2:24
Band:
Bryan Scott – Vocals
Patrick Kennison – Guitar
John Moyer – Bass
Josh Memelo – Drums
Produced by: Bryan Scott, Don Gilmore, Ulrich Wild
The Union Underground were one of two new acts (Mars Electric being the other) that were signed to the revitalized Portrait Records in the late 90s. The John Kalodner-led Portait was mostly set up as a haven for 80s rock & metal acts, in an attempt to copy the success Kalodner had with turning Aerosmith from a tired 70s act to a popular act back again in the 80s.
I LOVE this album. “Turn Me On ‘Mr. Deadman’” was a minor hit and hooked me enough during my experimental phase to give this new band a shot. The truth is, the album still holds up. It’s extremely catchy nu metal/industrial metal. It stays melodic and never crosses too much over into the typical cold industrial sound.
It’s a very dark album though and the use of drugs is commonly mentioned, so it’s not a “feel good” album and I have to be in a special mood to want to hear it.
Sadly, the band didn’t do much after this album (which just fell short of going Gold). They put out a live album after this but, oddly, their most well-known song is probably “Across the Nation”, which was used as the theme song to WWE RAW for a few years and was released on a WWE compilation album.
John Moyer now plays bass for Disturbed.
Highlights: Can’t pick just one, it’s all very good.
www.myspace.com/unionundergroud (pretty sure this was their official MySpace page, hasn’t been updated in a few years)
ALICE COOPER – Dragontown
Alice Cooper – Dragontown (2001, Spitfire Records)
Track Listing:
1. “Triggerman” … 3:59
2. “Deeper” … 4:35
3. “Dragontown” … 5:05
4. “Sex Death & Money” … 3:37
5. “Fantasy Man” … 3:52
6. “Somewhere In The Jungle” … 4:06
7. “Disgraceland” … 5:21
8. “I Just Wanna Be God” … 3:32
9. “Sister Sara” … 4:34
10. “Every Woman Has A Name” … 3:43
11. “It’s Much Too Late” … 4:38
12. “The Sentinel” … 3:53
Band:
Alice Cooper – Vocals
Ryan Roxie – Guitar
Tim Pierce – Guitar
Greg Smith – Bass
Kenny Aronoff – Drums
Bob Marlette – Keyboard, Guitar, Bass
Produced by: Bob Marlette
A sequel to Brutal Planet, but far more diverse. Alice was still on the industrial metal kick here, but he branches out with more of the typical Alice humor and catchy songs like the rockabilly “Disgraceland” and the awesome ballads, “Every Woman Has A Name”, and “It’s Much Too Late”.
Initially, I wasn’t a big fan of either of Alice’s two industrial-inspired works, but I *did* take a liking to Dragontown over Brutal Planet then and I still do to this day. There’s just too many catchy songs here, industrial or not, to not be a fan of it. I just needed time to adjust to this more modern, heavier Alice style.
Highlights: “Triggerman”, “Sex Death & Money”, “Fantasy Man”, “Disgraceland”, “Every Woman Has A Name”, “It’s Much Too Late”
www.alicecooper.com
www.myspace.com/officialalicecooper
END OF DAYS – Original Motion Picture Soundtrack
End of Days – Original Motion Picture Soundtrack [Clean Version] (1999, Interscope Records)
Track listing:
1. “Camel Song” performed by Korn … 4:22
2. “So Long” performed by Everlast … 5:00
3. “Slow” performed by Professional Murder Music … 3:58
4. “Crushed” performed by Limp Bizkit … 3:24
5. “Oh My God” performed by Guns N’ Roses … 3:40
6. “Poison” performed by The Prodigy … 6:15
7. “Superbeast (Girl On A Motorcycle mix)” performed by Rob Zombie … 3:52
8. “Bad Influence” performed by Eminem … 3:40
9. “Nobody’s Real” performed by Powerman 5000 … 2:54
10. “I Wish I Had” performed by Stroke … 6:34
11. “Sugar Kane” performed by Sonic Youth … 5:58
12. “Wrong Way” performed by Creed … 4:20
Soundtracks can be a great (and not so great) snapshot of a certain time in music history when said soundtrack is full of contemporary songs & artists. The soundtrack to 1994′s The Crow perfectly captures the grunge & alternative rock scene and End of Days does a fairly good job of showing what rock music was at the turn of the century: rap metal, nu metal, industrial metal and post-grunge rock.
BUT… While the soundtrack covers it’s musical bases just fine, that doesn’t necessarily mean those genres were any good in the first place and that this album is. Okay, okay… I’ll be honest, there’s actually some solid stuff going on here and not your usual soundtrack throwaway filler.
I could mention that, surprisingly, I like the Korn, Limp Bizkit, Creed and Eminem songs, but that’s not what is important about this album. What IS important is that it holds the only officially released single from the mythical Chinese Democracy from Guns N’ Roses. Of course, I’m talking about “Oh My God” which is a loud, aggressive NIN-inspired song that is just awesome and features Axl at his angriest and most sneering. It’s a far way from “November Rain” or “Nightrain”, but so what? Good is good and I love this song and it’s the only reason I bought the soundtrack. At this time though, if Democracy does ever come out, I think it’s probably best to leave this one off the record due to the time that’s elapsed since it’s original release.
In the end (of days), despite the genres involved, this album actually offers up some really great tunes and to this day, it’s an album I’ll occasionally pull out and listen to. Which is a lot more than I can say about the supposed “comeback” the movie was meant to be for Arnie.
And yes, I have the “Clean” version, picking it up at Wal-Mart and not realizing until later that there was an explicit version.
Highlights: “Crushed”, “Oh My God”, “Superbeast [Girl on a Motorcycle Mix]“, “Bad Influence”, “Nobody’s Real”, “I Wish I Had”
