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Mollo/Martin – The Third Cage

Mollo/Martin – The Third Cage (2012, Frontiers Records)

1. Wicked World … 4:40
2. Cirque du Freak … 4:13
3. Oh My Soul … 5:13
4. One of the Few … 4:01
5. Still In Love With You … 4:21
6. Can’t Stay Here … 4:08
7. Wardance … 6:00
8. Don’t Know What It Is About You … 4:55
9. Blind Fury … 5:06
10. Violet Moon … 7:38

Musicians:
Tony Martin – Vocals
Dario Mollo – Guitars, Bass, Keyboards
Roberto Gualdi – Drums
Fulvio Gaslini – Bass
Dario Patti – Keyboards
Brian War – Keyboards

If you’ve been following this blog for any decent amount of time or have conversed with me on message boards or Facebook, you’ve probably realized that I’m a big fan of Tony Martin. I rank his run in Sabbath second only to the great Ronnie James Dio. That said, I haven’t heard any of his side-projects or guest spots on other albums and have only heard the latest of his two solo albums (leaving 1992′s Back Where I Belong on my bucket list).

Dario Mollo, on the other hand, I know next to nothing about this Italian guitarist. Looking at his official website and the Frontiers website, I can tell you that he was in a metal band in the ’80s called Crossbones and in 2000 & 2005 released albums under the Voodoo Hill name with the legendary Glenn Hughes on vocals (I really need to check those albums out). He also did a UK tour as a member of the “Graham Bonnet & Don Airey Band”.

Also during this time is when “The Cage” series of albums came to be. Dario recruited Tony Martin to sing on and write lyrics for 1999′s The Cage and they paired up again in 2004 for The Cage 2. I was made aware of both of these projects awhile back and while I’ve seen good reviews for them, I never picked them up because they are, unfortunately, out of print and very expensive (I think I’ll pass on spending $80-$140 for a CD!). Well, at least now I am able to listen to the latest Cage album!

The first thing I noticed is that Tony Martin has not lost a step over the years. He sounds just as good here as he did on The Eternal Idol or Headless Cross. Not that I expected anything less because he sounded excellent on Scream as well. As for Dario, well, if you’ve got Glenn Hughes, Tony Martin, Graham Bonnet and Don Airey willing and wanting to work with you — then you know you’re pretty good at what you do. Some very nice solos and riffing going on here.

Though the album starts off heavy with “Wicked World” , “Cirque Du Freak” & “Oh My Soul” (the last two sound like they could’ve come from a Sabbath album with Tony), there’s a variety of styles to be found on this album. “One of the Few”, “Can’t Stay Here” and “Don’t Know What It Is About You” are all melodic rockers, taking Tony back to his musical roots and still displaying him as being just as comfortable singing these types of songs as he is singing heavy metal. “Still In Love With You” is heavy with an epic Middle Eastern-flair to it. “Wardance” is probably my favorite track on the album with the tribal rhythm of the drums and it’s just too catchy (“WAR!…DANCE!”). “Blind Fury” may be the heaviest track on the album while “Violet Moon” is a beautiful, near-trippy ballad that closes out the album.

There’s really not a bad track on this album. With each spin (and there’s been quite a few of them) I’ve grown to appreciate each song more and more but “Still In Love With You”, “Can’t Stay Here”, “Wardance” and “Don’t Know What It Is About You” were the instant standouts when I first listened.

How does The Third Cage compare to the first two Mollo/Martin albums? Don’t ask me! But I do know that Dario & Tony have delivered a great blend of hard rock, metal and melodic rock that has me wanting to snatch up whatever else Dario has done and has me wishing for even more new Tony Martin music.

Highlights: ”Cirque Du Freak”, “One of the Few”, “Still In Love With You”, “Can’t Stay Here”, “Wardance”, “Don’t Know What It Is About You”, “Violet Moon”

Dario Mollo Official Website
Dario Mollo – Tony Martin The Cage Facebook Page
Tony Martin Facebook Page

Buy ‘The Third Cage’ at Amazon.com

Looking Forward to in 2012…

2012 is shaping up to be another spectacular year for rock music. This is a year that is going to see releases from KISS, Judas Priest, Aerosmith, Van Halen and Black Sabbath. WHAT YEAR IS THIS ?!?

In no particular order, here’s what I’m definitely picking up in 2o12:

AcceptStalingrad (April)
Accept really blew me away with Blood of the Nations. The band has proven there is life without Udo. In fact, I think many people would prefer the current line-up over the classic Accept roster at this point.

Crazy Lixx - Riot Avenue (April)
These solid modern glam-metallers are currently in the studio working on their 3rd album.

KISS - Monster (Spring)
Obviously, this is the album I’m looking forward to most. Sonic Boom was a triumphant return to the studio for these guys, now that the wheels are well-oiled, I think Monster has potential to be even better.

SunstormEmotional Fire (February)
I missed out on the last Sunstorm despite good reviews. In the past year I’ve come to appreciate AOR/melodic rock more so I think I’m going to try out this Joe Lynn Turner-fronted side project when it’s released.

Crashdiet
No date yet set by these sleaze rockers but they are supposedly in the writing process now. I’m guessing sometime in the Fall.

Black Sabbath (Fall/Winter)
Another highly anticipated album for me because I’m really curious what it’s going to sound like. I’m not a big Ozzy fan, either as a solo artist or in Sabbath. I’d much rather see Iommi w/ Geezer go on to new projects (Iommi needs to give Tony Martin another call) but I still will be pre-ordering this one. My expectations aren’t all that high though given who is singing. I feel like he and Sharon are going to bring everyone else down to his mediocre level. Still, it’s exciting to know that new Iommi riffs and solos are coming.

Aerosmith (May)
So much prima donna drama in this camp over the last 5 years or so but hopefully that’s gone long enough to give us a new album. Granted,  I don’t really expect much from these guys in terms of, well… anything anymore. They’re kind of a joke at this point but with the legendary Jack Douglas back on as producer, I have no doubts that he’ll drag something out of them that’s better than the last studio album (2001′s Just Push Play).

Van Halen (February 7)
Geez, it was starting to look like the new Chinese Democracy, wasn’t it? No album title has been released yet but a release date has been and the first single will be released on January 10. Van Halen is another band that has become a joke over the years (despite the last tour getting rave reviews) but I have a good feeling about this album. The first album with Roth since 1984 and 1984! Rumored titles have been The Future and 2012 but I don’t think either will turn out to be true. Maybe IV though..?

Judas Priest
The band hasn’t definitely said a new album is coming in 2012 but they’ve been working on new material for a while now and seem to be looking at 2012 for releasing it. It’s a different songwriting dynamic now though. Instead of Halford/Downing/Tipton, it’s just Halford/Tipton. By all accounts, new guitarist Richie Faulkner is carrying his weight in a live setting so I think the album is going to turn out quite good. I do think it’s time the band delivers a straight ahead metal album though. Angel of Retribution and Nostradamus were good but not excellent. The band really hasn’t given the world that kick-ass classic metal album that they should’ve already done since Halford has come back. They really need a PainkillerHell Bent for Leather or British Steel at this point and keep it simple.

Primal Fear - Unbreakable (late January)
I have heard this album. It’s good. Plan on reviewing it soon.

Mollo/Martin - The Third Cage (late January)
See above. It’s great to have a new album out with Tony Martin on vocals.

Buckcherry
Maybe wishful thinking on my part but they were working on new material this past summer so hopefully something new will appear by next summer.

The Last Vegas - The Other Side
No date announced yet but they recently released the free digital Other Side E.P. so I’d imagine we’ll have the new album by the spring.

Slash
His first solo album was one of the best records from the last few years and this time, Myles Kennedy is singing all the songs. Everything is written, all that’s left to do is record the songs so I’m guessing spring for this one as well.

Trans-Siberian OrchestraRomanov: What Kings Must Whisper
The second non-holiday from TSO, it was actually planned to be their first album way back in 1994 but they held on it while trying to get a Broadway musical out of it first. Night Castle was dark and cool while still keeping that trademark blend of metal, rock and classical music, I expect more of the same here.

Dokken
With a deal in place with Frontiers Records for the new album, I’m expecting something special despite never being a huge Dokken fan. Lightning Strikes Again was good enough for me to be interested in a follow-up. The plan, as of this past November, was to have recording completed by February.

Stryper
This album was actually delayed from this past year in favor of recording and releasing the excellent The Covering album of cover songs. According to Michael Sweet, two albums are in the works: the first will be an album of re-recordings (Why? Can we stop this trend, please?)  followed by an album of all-new material written in the same heavy, edgy vein as “God” from The Covering.

M-Pire of Evil
M-Pire of Evil is the renamed Primevil which itself was the reunited late ’80s/early ’90s line-up of Venom that featured Tony “Demolition Man” Dolan on vocals/bass . I’m not well-versed on the comings and goings of the Venom roster but the “classic” line-up is split into two different bands right now. Conrad “Cronos” Lant is leading Venom with a few newer guys while the other two “classic” members (Jeff “Mantas” Dunn & Anthony “Abaddon” Bray) have hooked up again with Dolan for M-Pire of Evil.

They released an EP this past summer called The Creatures of the Black, which was pretty good and I liked the Prime Evil album (the only Venom release I’ve heard from this line-up) so I’m looking forward to a full length album. I couldn’t find anything resembling a release date but going by the band’s Facebook page, it should be soon because they’ve been teasing releasing the album cover.

Tooth And Nail (March)
The band that features 3/4 of the classic Dokken line-up. How does “Wild” Mick Brown still retain a position in Dokken while joining Tooth And Nail? Given Don Dokken’s reputation, you’d think he’d have been fired from Dokken by now. I mean, this band was named after a Dokken album and they’ve gloated over the fact that Don Dokken isn’t in the group (bassist Jeff Pilson will handle vocals). What’s weird is that on the band’s Facebook page, they list current Whitesnake drummer Brian Tichy as a member as well… I guess he’s there for the live shows in case Brown has to go off and play in Dokken?

I’m probably forgetting a few more albums but oh well!

Fools Faith – Sinister F

Fools Faith – Sinister F (2011, Sick Day Records & Entertainment)

1. Across The Sky … 4:12
2. Forgotten … 3:51
3. Break Me … 4:32
4. Change Direction … 5:55
5. Sinister F … 3:53
6. Wait For Me … 4:58
7. Possession … 4:29
8. Ordinary Man … 4:12
9. Won’t Be Home (Tonight) … 4:55
10. Lies … 4:15

Band:
Joey Dia – Vocals
John Gallicano – Guitars
Andy Kadin – Bass, Keyboards
Marc Chandler – Drums

Sinister F is the sophomore effort from this Connecticut-based rock band after having released their debut Undone in 2007. A previous line-up of the group went by the name of Aftermath and had released Natural Destruction on the Escape Music label in 2003.

I wasn’t really aware of this band and by looking at the cover, I was expecting something heavy and perhaps something I wasn’t going to like. Instead, Fools Faith’s Sinister F delivers a great assortment of hard rock and melodic rock. Although the music and production certainly is modern and I can imagine a number of these tracks making it to radio (“Possession” has enough modern crunch), I still get a late ’80s/early ’90s melodic hard rock vibe from these guys that reminds me of groups such as Babylon A.D. and Mass at times.

For my first spin of the album I put it on as background noise and actually ended up getting sucked into a few songs like the “Across the Sky”, “Change Direction” and “Wait for Me”. Great melodies all around this album whether we’re dealing with rockers or ballads. Speaking of ballads, “Won’t Be Home (Tonight)” is fantastic. Great melancholy piece of melodic rock.

Had I done a list of the Top 30 albums for 2011 (instead of my usual Top 25), there is no doubt that Sinister F would’ve made the cut. Don’t get me wrong though, Fools Faith have delivered a hell of an album and are definitely worth seeking out for fans of melodic hard rock.

Highlights: ”Across the Sky”, “Forgotten”, “Wait For Me”, “Change Direction”, “Won’t Be Home (Tonight)”

http://www.foolsfaith.com/
http://www.facebook.com/pages/Fools-Faith/70421015019
http://www.myspace.com/foolsfaith

Buy ‘Sinister F’ from Amazon.com

The Metal Excess Awards: 2011 Edition

Last year I said 2010 was a better year for music than 2009 was. I went on to wonder how 2011 could even begin to top it. Well, guess what… 2011 did indeed top 2010! I’m looking back at my Top 25 list for 2010 and while those albums are all still good, this year’s Top 25 list is much stronger top to bottom.

2011 was a great year that saw classic rock/metal acts like Whitesnake, Warrant, Riot, Alice Cooper, Journey, Black N’ Blue and King Kobra deliver some of the best albums of their career while younger acts like Steel Panther, Reckless Love, Savage Messiah, Evile (who missed the list by this much) and Black Veil Brides have shown that they are more than capable of carrying rock & metal into the future.

Top 25 Albums of 2011

1. Whitesnake – Forevermore
2. Sixx:A.M. – This Is Gonna Hurt
3. Riot – Immortal Soul
4. Warrant – Rockaholic
5. Alice Cooper – Welcome 2 My Nightmare
6. Steel Panther – Balls Out
7. Megadeth – Thirteen
8. Anthrax – Worship Music
9. Sebastian Bach – Kicking & Screaming
10. Reckless Love – Animal Attraction
11. Edguy – Age of the Joker
12. Hurtsmile – s/t
13. Journey – Eclipse
14. Chickenfoot – III
15. Mike Tramp & The Rock ‘N’ Roll Circuz – Stand Your Ground
16. Black Country Communion – 2
17. The Poodles – Performocracy
18. House of Lords – Big Money
19. King Kobra – s/t
20. Saliva – Under Your Skin
21. Foo Fighters – Wasting Light
22. Black N’ Blue – Hell Yeah!
22. Savage Messiah – Plague of Conscience
24. George Lynch – Kill All Control
25. Joe Bonamassa – Dust Bowl

Best E.P./Single
In light of a few non-album singles being released this year, I’ve decided to make this a hybrid category.

1. Sixx:A.M. – 7
2. Black Veil Brides – Rebels
3. Who Cares – Out of My Mind / Holy Water
4. Wildstreet – II …Faster …Louder!
5. The Last Vegas – The Other Side E.P.

Best Compilation/Cover/Live/Reissue Albums
Kind of a catch-all category this year. Instead of listing each category individually, I decided to lump them all into one list and rank them that way.

1. Black Sabbath – Born Again [Deluxe Edition]
2. Stryper – The Covering
3. Vains of Jenna – Reverse Tripped
4. Whitesnake – Live at Donington 1990
5. Slash featuring Myles Kennedy – Live: Made In Stoke 24/7/11
6. Hell – Human Remains
7. Scorpions – Comeblack
8. Def Leppard – Mirrorball: Live & More
9. Eric Carr – Unfinished Business
10. Black Sabbath – Dehumanizer [Deluxe Edition]

Want to read more about the year in music? Check out some of the fine sites & blogs listed below! And be sure to keep checking back for more Year-End posts here at Metal Excess!

All Metal Resource — http://allmetalresource.com/

Bring Back Glam — http://bringbackglam.squarespace.com/

The Crash Pad of Ray Van Horn, Jr. – http://www.rayvanhornjr2.blogspot.com/

Hair Metal Mansion — http://hairbangersradio.ning.com/

Hard Rock Hideout — http://hardrockhideout.com/

Hard Rock Nights — http://hardrocknights.com

Heavy Metal Addiction — http://heavymetaladdiction.com/

Heavy Metal Time Machine — http://metalmark.blogspot.com/

Imagine Echoes — http://www.imagineechoes.com/

Layla’s Classic Rock — http://laylasclassicrock.blogspot.com/

Metal Odyssey — http://metalodyssey.wordpress.com/

The Ripple Effect — http://www.ripplemusic.blogspot.com/

Edguy – Age of the Joker

Edguy – Age of the Joker (2011, Nuclear Blast Records)

1. Robin Hood … 8:24
2. Nobody’s Hero … 4:31
3. Rock of Cashel … 6:18
4. Pandora’s Box … 6:45
5. Breathe … 5:03
6. Two Out of Seven … 4:27
7. Faces in the Darkness … 5:22
8. The Arcane Guild … 4:58
9. Fire on the Downline … 5:46
10. Behind the Gates to Midnight World … 8:56
11. Every Night Without You … 4:52

Band:
Tobias Sammet – Vocals
Jens Ludwig – Guitar
Dirk Sauer – Guitar
Tobias Exxel – Bass
Felix Bohnke – Drums

Producer: Sascha Paeth

Wow, I had planned on reviewing this one as soon as it came out but I just kept putting it off despite having already given Age of the Joker a few (unfocused) listen. Having given the album a few more attentive spins, Age of the Joker is a really good album that is easily an improvement over Tinnitus Sanctus (which itself was a fine album and one of the best of that year but was missing a certain spark I heard on Rocket Ride …yes, I’m a fan).

For a number of uptight power metal fans, Rocket Ride and Tinnitus Sanctus are considered to be low-points for Edguy. With those albums they took on more of an eighties melodic hard rock flavor though Tinnitus Sanctus was the heavier of the two albums that saw them going back into a metallic direction. I would imagine the same fans that derided the last two albums will have mixed feelings about this new release.

Age of the Joker borrows from both the power metal and the catchy hard rock eras of Edguy while also incorporating elements of Sammet’s Avantasia epics. Other than the goofy humor that Edguy displays with an eight minute song like “Robin Hood” (and if you don’t think these guys are taking the piss just watch the video for it), it’s getting hard to distinguish the two groups these days because they’ve both moved into a more friendly melodic hard rock/metal direction over the last few year. Perhaps it’s time to start using a producer other than Sascha Paeth…

Stylistically, I think the album art is a conscious effort on the band’s part to make the jaded fans take them more seriously after having last seen cartoon aliens riding a rocket ship and an ear-bleeding Jesus Christ being sported on the covers. This cover art reminds me of the cover to Mandrake even if it is still a bi

There’s a little something for everyone here. You want old school Edguy? Check out “Robin Hood” and “The Arcane Guild”. You want something more in line with Rocket Ride? You’ve got “Nobody’s Hero”, the bluegrassy “Pandora’s Box” and the power ballad “Every Night Without You”. Hey, were you a big fan of the recent Avantasia albums? Give “Rock of Cashel” and “Behind the Gates to Midnight World” a listen.

It all adds up to make one heck of a high quality album that is one of 2011′s best releases. In fact, I don’t think there are any filler tracks here (I would peg “Robin Hood” as my least favorite though). The band has quite possibly released one of their most consistent albums yet.

Highlights: ”Nobody’s Hero”, “Rock of Cashel”, “Pandora’s Box”, “Two Out of Seven”, “Fire on the Downline”, “Behind the Gates to Midnight World”, “Every Night Without You”

http://www.edguy.net
http://www.facebook.com/edguy
http://www.twitter.com/_edguy

Buy ‘Age of the Joker’ at Amazon.com

Reckless Love – Animal Attraction

Reckless Love – Animal Attraction (2011, Universal Music/Spinefarm Records UK)

1. “Animal Attraction”
2. “Speedin’”
3. “Born To Break Your Heart”
4. “Hot”
5. “Fantasy”
6. “Dirty Dreams”
7. “Dance”
8. “Fight”
9. “Switchblade Babe”
10. “On The Radio
11. “Coconuts

Band:
Olli Herman – Vocals
Pepe – Guitar
Jalle Verne – Bass
Hessu Maxx – Drums

Producer: Ilkka Wirtanen

Reckless Love came out of nowhere last year and delivered one of my favorite albums for 2010 so I was pretty enthusiastic when I heard a new album was coming in 2011. Fans of the band’s self-titled debut will not be disappointed with Animal Attraction.

Olli & the boys have given the world another great collection of slick ‘n’ polished glam & pop-metal. Whether it’s the sleazy “Animal Attraction”, the anthemic ”Hot” & “On The Radio”, the Euro-pop of “Dirty Dreams”, the hard pop groove of “Dance” (seriously, this could be a club hit in the U.S.), the hard rockin’ “Fight” or the somewhat quirky “Coconuts” (channeling Diamond Dave?) Reckless Love have proven themselves as kings of modern glam metal.

This album is just so darn catchy that I think I would rank it slightly above the debut (the album cover & new logo are certainly an improvement) but the guys really haven’t changed their style a bit. Anyone who likes the melodic hard rock/pop acts of the ’80s (Danger Danger, Def Leppard, David Lee Roth, Bon Jovi, KISS, etc.) is going to dig Animal Attraction.

These guys are a hit in their native Finland. Too bad albums such as this one go unnoticed here in America. Someone like Def Leppard or Poison or KISS needs to step up and take them out on the road next summer.

Highlights: “Animal Attraction”, “Speedin’”, “Hot”, “Fantasy”, “Dirty Dreams”, “Dance”

http://www.recklesslove.com
http://www.facebook.com/RecklessLove

Buy ‘Animal Attraction’ on Amazon.com

House of Lords – Big Money

House of Lords – Big Money (2011, Frontiers Records)

1. “Big Money”
2. “One Man Down”
3. “First To Cry”
4. “Someday When”
5. “Searchin’”
6. “Living In A Dream World”
7. “The Next Time I Hold You”
8. “Run For Your Life”
9. “Hologram”
10. “Seven”
11. “Once Twice”
12. “Blood”

Band:
James Christian – Lead Vocals, Keyboards
Jimi Bell – Guitar
Chris McCarvill – Bass, Backing Vocals
B.J. Zampa – Drums, Percussion

Producer: James Christian

Despite having some excellent songs, I’ve always been a casual fan of House of Lords. It wasn’t until Cartesian Dreams that I became a bigger fan and was finally convinced to go back and acquire the rest of their catalog. It’s a fantastic body of work and Cartesian Dreams is probably my favorite Lords album so I was pretty excited when Big Money was announced.

On Big Money the band continues to blend AOR with hard rock (that darn near borders on metal sometimes) in a spectacular fashion. This is a utopia where the guitars are beefy, the drums are prominent and keyboards accentuate the songs. By this point, James Christian (the one constant factor in HoL all these years) has really hit upon a formula that works time and time again. Great melodies, big hooks, huge choruses, heavy rock ‘n’ roll, keyboards in a supporting role and fantastic production values. Not to mention Christian’s voice is just as good as ever as well.

The title track starts off the album right, letting you know the Lords are back and ready to rock. Really catchy song with a dash of cynicism thrown in. “One Man Down”, a song with a great catchy chorus, is told from the view of a soldier. “First to Cry” is the first song on the album to sound like it could have come from the ’80s, but I mean that in a good way. “Someday When” is a mid-tempo rocker that follows that same slick ’80s style of “First to Cry” and there are a number of more tracks that seem to shoot for that same sound. “The Next Time I Hold You” is the album’s only ballad and it’s a good one. The album wraps up with the heavy dirty rocker “Blood”.

While Big Money doesn’t quite reach the heights of Cartesian Dreams, this is a still very good addition to House of Lords’ already impressive catalog of melodic hard rock. Another prime example that House of Lords is simply one of the best melodic rock bands of all time. Another top album for 2011 and sure to please fans of the band.

Highlights: ”Big Money”, “One Man Down”, “First To Cry”, “Someday When”, “The Next Time I Hold You”, “Blood”

http://www.jameschristianmusic.com/

Buy ‘Big Money’ at Amazon.com

Mr. Big – What If…

Mr. Big – What If… [Russian Import] (2011, Frontiers Records/IROND Records)

1. “Undertow” … 4:49
2. “American Beauty” … 3:44
3. “Stranger In My Life” … 4:26
4. “Nobody Left to Blame” … 4:20
5. “Still Ain’t Enough for Me” … 3:04
6. “Once Upon a Time” … 4:03
7. “As Far as I Can See” … 3:55
8. “All the Way Up” … 5:12
9. “I Won’t Get in My Way” … 4:40
10. “Around the World” … 3:51
11. “I Get the Feeling” … 4:34
Bonus Track
12. “Unforgiven” … 4:16

Band:
Eric Martin – Vocals
Paul Gilbert – Guitar, Backing Vocals
Billy Sheehan – Bass, Backing Vocals
Pat Torpey – Drums, Percussion, Backing Vocals

Producer: Kevin Shirley

I waffled back and forth on picking this one up more than John Kerry because Mr. Big has never been of much interest to me. Sure, I own Lean Into It and despite that record having some standout tracks, I never thought it was ever good enough to where I needed to hear the rest of their catalog. The first few times I listened to “Undertow” after it was released late in 2010, I wasn’t impressed a bit and I had pretty much made up my mind I wasn’t going to get the album. But then the album was highly recommended to me by Rob Rockitt over at Hard Rock Hideout, so here we go…

After having listened to “Undertow” numerous times since getting this album (the song was on my iPod which is a high honor), I have to say I absolutely love it. Especially the break where it gets a bit funky. Other favorites are the metallic “American Beauty” and the ballad “Stranger In My Life”. “American Beauty” is apparently an old Mr. Big song that didn’t make their debut album. Reminds me a lot of Van Halen or David Lee Roth’s “Shy Boy” (which Sheehan also played on).

The album features a good mix of heavy numbers along with the slick melodic rock they are more known for. No offense to him, because even with a bit of wear he’s still a fine vocalist but I’ve always had a hard time buying Eric Martin on Mr. Big’s heavier and faster songs. I think he has a voice that is much more suited to the polished melodic rockers. Other than that, the musicianship on this album is fantastic and that really goes without saying. The interplay between Billy Sheehan & Paul Gilbert is amazing. Pat Torpey drives the songs and I have much more respect for him having watched a few of the band’s recent live clips on YouTube.

“Unforgiven” is a bonus track included for the North American/European release. I thought maybe we finally stuck it to Japan (Mr. Big’s biggest market) since they ALWAYS get bonus tracks but they ended up getting the exclusive “Kill Me With A Kiss” on their release. Anyway, it’s a decent tune that again showcases Gilbert & Sheehan.

The album has been pretty well reviewed by fans of the band and melodic rock sites so I imagine virtually anyone that’s liked what this band has done in the past will like this album. For me, I like the album but it isn’t something that will ever get much play from me. There’s just something missing from this band. Maybe it’s that they’re too good of musicians and too polished.

This is a used copy I picked up from Amazon.com… turns out it’s a Russian import and looks like it was released in collaboration with UK’s Classic Rock magazine — cool!

Highlights: “Undertow”, “American Beauty”, “Stranger In My Life”, “Nobody Left To Blame”, “I Won’t Get In My Way”

http://www.mrbigsite.com/
http://www.facebook.com/mrbigmusic

Buy ‘What If…’ at Amazon.com

Liberty N’ Justice – Chasing A Cure

Liberty N’ Justice – Chasing a Cure (2011, Roxx Records)

1. “Say Uncle” (Paul Shortino of Quiet Riot / Rough Cutt, Ron Keel of Keel & Eddie Ojeda of Twisted Sister) … 4:27
2. “Throwing Stones” (Donnie Vie of Enuff Z Nuff & J.K. Northrup of King Kobra) … 4:16
3. “Paige’s Song” (Philip Bardowell of Magdalen/Unruly Child/The Beach Boys & Tony Palacios of Guardian) … 4:09
4. “Playing God” (Terry Ilous of XYZ, Jeff Paris and Richard Kendrick of Near Life Experience) … 3:47
5. “Chasing a Cure” (Benny Mardones, John Pine & Bill Leverty of Firehouse) … 4:29
BONUS TRACKS
6. “Black Or White” (Terry Ilous of XYZ, Alton Hood of D.O.C., & J.K. Northrup of King Kobra) … 3:57
7. “Quicksand Jesus” (Kelly Keeling of Baton Rouge) … 5:29
8. “Snake Eat Snake [Electric Version] (David Raymond Reeves & Don Webster of Neon Cross) … 4:53
9. “Butterface” (Mark Allen Lanoue of Biloxi & Joshua Perahia of Joshua) … 3:56
10. “When Mullets Ruled The World” (Philip Bardowell of Magdalen/Unruly Child/The Beach Boys & J.K. Northrup of King Kobra) … 4:16
11. “Ground Zero” (Kelly Keeling of Baton Rouge, Kerry Livgren of Kansas, & Carmine Appice) … 8:20
12. “Eve” [demo] (Tommy Denander on guitars) … 3:18
13. “Damascus Road” [demo] (Tommy Denander on guitars) … 3:43

Liberty N’ Justice is a Christian hard rock band that began in the early 1990s and has shifted into more of a melodic rock project in recent times. I say “project” because each LNJ release now features a variety of guest musicians with the only constant being founding member Justin Murr.

This particular release was originally an EP and was a digital download only. It was done to help raise money for The Epilepsy Foundation and help raise awareness about epilepsy. I guess the project was enough of a success that a physical pressing of the album was produced with 8 “bonus” tracks turning Chasing a Cure into a full-length album.

I’d been aware of LNJ for a number of years but was always surprised at how low-key the hype around the releases seemed to be considering the talent that was involved. This a truly all-star outfit as Lou Gramm, Phil Collen, Sebastian Bach, Chris Jericho, Michael Sweet, Jack Russell, Stephen Pearcy, Phil Lewis, Jamie St. James, Robert Mason and Jani Lane (yes — all THREE Warrant vocalists) have all appeared on various albums. On this release alone Paul Shortino, Ron Keel, Donnie Vie, Carmine Appice, Eddie Ojeda, Bill Leverty and Kerry Livgren all pitch in alongside members of XYZ, King Kobra, Baton Rouge and various other Christian rock bands.

Let me put this out there — despite some of the names I mentioned, this is most definitely a melodic rock album. I’m talking “Why didn’t Frontiers release this?” melodic. So for me, a few songs fall short. A few are too slow or too polished for my tastes but this is still a solid release overall. The only song I truly cannot stand is “Snake Eat Snake” which sounds like something from the grunge era and is so bad I’m wondering if it’s meant as a joke! The hardest rocking song on the album is “Butterface”, which is pretty modern and kinda reminds me of Velvet Revolver. “Ground Zero” reminds me of Kansas which is no surprise with Livgren participating on this track.

A couple of good cover songs are thrown in on the bonus portion of the album. XYZ’s Terry Ilous does a great job on Michael Jackson’s “Black Or White” and Baton Rouge’s Kelly Keeling is truly impressive on Skid Row’s “Quicksand Jesus”. No offense to the rest of the album but it is this take on “Quicksand Jesus” that I have listened to most (but to be fair, it is one of my favorite Skid Row songs).

Frequent MelodicRock.com visitors will probably get much more mileage out of this album than I have but I still liked it a lot and the money goes towards a good cause so go buy it!

Highlights: “Say Uncle”, “Throwing Stones”, “Playing God”, “Quicksand Jesus”, “Butterface”, “Ground Zero”

http://www.libertynjustice.net/

Night Ranger – Somewhere In California

Night Ranger – Somewhere In California (2011, Frontiers Records)

1. “Growin’ Up In California”
2. “Lay It On Me”
3. “Bye Bye Baby (Not Tonight)”
4. “Follow Your Heart”
5. “Time Of Our Lives”
6. “No Time To Lose Ya”
7. “Live For Today”
8. “It’s Not Over”
9. “End Of The Day”
10. “Rock N’ Roll Tonite”
11. “Say It With Love”

Band:
Jack Blades – Lead Vocals, Bass, Backing Vocals
Brad Gillis – Guitar, Backing Vocals
Joel Hoekstra – Guitar, Backing Vocals
Kelly Keagy – Drums, Percussion, Lead Vocals, Backing Vocals
Eric Levy – Keyboards, Piano, Backing Vocals

Producer: Night Ranger

Since in the last year or two I’ve heard a startling number of melodic rock albums that I’ve actually ended up enjoying, I decided to give the new Night Ranger a chance despite never really being a fan of the band other than a few songs (and I HATE “Sister Christian”). Deep at the core of Night Ranger I’ve always felt there was a really good HARD rock band there. When the band isn’t writing slick commercial melodic rock numbers, they can really go balls to the wall and they do this a number of times throughout Somewhere In California.

Pointing out the album’s highlights:

  • “Growin’ Up in California” is a high-energy opener that name checks a few California locales and instantly brings to mind a song like “(You Can Still) Rock In America” as it somehow finds a perfect balance between the melodic rock & actual rock ‘n’ roll, keyboards & guitars.
  • “Lay It On Me” is a great heavy number that precisely shows that the band can get down and dirty when they want to. Guitars!
  • “Time Of Our Lives” follows in the great tradition of Night Ranger writing excellent ballads (“Sister Christian” is the exception to this excellence!) and is well-sung by Kelly Keagy.
  • “No Time To Lose Ya” is extremely catchy and features a great chorus, one of the album’s best and most inspired tracks.
  • “End Of The Day” is another excellent guitar-driven song, a bit dark sounding other than the chorus and yet somehow reminds me of Rick Springfield.
  • “Rock N’ Roll Tonite” features a great chorus and is yet another guitar-centric number, classic Night Ranger hard rock. Tailor-made for a live setting and would’ve been a great way to close this album.
  • “Say It With Love” is the album’s actual closer though and is absolutely infectious melodic rocker and ends the album on a high note.

Though Hole In The Sun was a step towards a more modern sound that proved to be controversial/disappointing for some longtime Night Ranger fans, Somewhere In California has the band delivering what you would expect a Night Ranger album to sound like. In other words, this is “classic” Night Ranger. Having only casual knowledge of the band, if you would have told me this album was one of their releases from the 1980s for the most part I would have believed you.

It sounds like Night Ranger: hooks, melodies, harmonies, great vocals from Jack Blades, great backing vocals, Gillis continues to prove himself as an unsung guitar demi-god (Joel Hoekstra is no slouch either!) and the keyboards are expertly woven into the tracks and don’t become overbearing. Somewhere In California is a really enjoyable album and should be a big hit in the melodic rock world and, most importantly, with Night Ranger fans. It was certainly a big hit with me since I consider 7 of the 11 tracks to be “highlights”!

Highlights: “Growin’ Up in California”, “Lay It On Me”, “Time Of Our Lives”, “No Time To Lose Ya”, “End Of The Day”, “Rock N’ Roll Tonite”, “Say It With Love”

http://www.NightRanger.com
http://www.facebook.com/nightranger

Buy ‘Somewhere in California’ at Amazon.com!

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