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The Metal Excess Awards: 2011 Edition

Last year I said 2010 was a better year for music than 2009 was. I went on to wonder how 2011 could even begin to top it. Well, guess what… 2011 did indeed top 2010! I’m looking back at my Top 25 list for 2010 and while those albums are all still good, this year’s Top 25 list is much stronger top to bottom.

2011 was a great year that saw classic rock/metal acts like Whitesnake, Warrant, Riot, Alice Cooper, Journey, Black N’ Blue and King Kobra deliver some of the best albums of their career while younger acts like Steel Panther, Reckless Love, Savage Messiah, Evile (who missed the list by this much) and Black Veil Brides have shown that they are more than capable of carrying rock & metal into the future.

Top 25 Albums of 2011

1. Whitesnake – Forevermore
2. Sixx:A.M. – This Is Gonna Hurt
3. Riot – Immortal Soul
4. Warrant – Rockaholic
5. Alice Cooper – Welcome 2 My Nightmare
6. Steel Panther – Balls Out
7. Megadeth – Thirteen
8. Anthrax – Worship Music
9. Sebastian Bach – Kicking & Screaming
10. Reckless Love – Animal Attraction
11. Edguy – Age of the Joker
12. Hurtsmile – s/t
13. Journey – Eclipse
14. Chickenfoot – III
15. Mike Tramp & The Rock ‘N’ Roll Circuz – Stand Your Ground
16. Black Country Communion – 2
17. The Poodles – Performocracy
18. House of Lords – Big Money
19. King Kobra – s/t
20. Saliva – Under Your Skin
21. Foo Fighters – Wasting Light
22. Black N’ Blue – Hell Yeah!
22. Savage Messiah – Plague of Conscience
24. George Lynch – Kill All Control
25. Joe Bonamassa – Dust Bowl

Best E.P./Single
In light of a few non-album singles being released this year, I’ve decided to make this a hybrid category.

1. Sixx:A.M. – 7
2. Black Veil Brides – Rebels
3. Who Cares – Out of My Mind / Holy Water
4. Wildstreet – II …Faster …Louder!
5. The Last Vegas – The Other Side E.P.

Best Compilation/Cover/Live/Reissue Albums
Kind of a catch-all category this year. Instead of listing each category individually, I decided to lump them all into one list and rank them that way.

1. Black Sabbath – Born Again [Deluxe Edition]
2. Stryper – The Covering
3. Vains of Jenna – Reverse Tripped
4. Whitesnake – Live at Donington 1990
5. Slash featuring Myles Kennedy – Live: Made In Stoke 24/7/11
6. Hell – Human Remains
7. Scorpions – Comeblack
8. Def Leppard – Mirrorball: Live & More
9. Eric Carr – Unfinished Business
10. Black Sabbath – Dehumanizer [Deluxe Edition]

Want to read more about the year in music? Check out some of the fine sites & blogs listed below! And be sure to keep checking back for more Year-End posts here at Metal Excess!

All Metal Resource — http://allmetalresource.com/

Bring Back Glam — http://bringbackglam.squarespace.com/

The Crash Pad of Ray Van Horn, Jr. – http://www.rayvanhornjr2.blogspot.com/

Hair Metal Mansion — http://hairbangersradio.ning.com/

Hard Rock Hideout — http://hardrockhideout.com/

Hard Rock Nights — http://hardrocknights.com

Heavy Metal Addiction — http://heavymetaladdiction.com/

Heavy Metal Time Machine — http://metalmark.blogspot.com/

Imagine Echoes — http://www.imagineechoes.com/

Layla’s Classic Rock — http://laylasclassicrock.blogspot.com/

Metal Odyssey — http://metalodyssey.wordpress.com/

The Ripple Effect — http://www.ripplemusic.blogspot.com/

Eric Carr – Unfinished Business

Eric Carr – Unfinished Business (2011, Auto Rock Records)

1. Eric speaks to the fans
2. “Just Can’t Wait”
3. “Troubles Inside You”
4. Eric talks about his music
5. “No One’s Messin’ With You”
6. “Carr Jam 1981″
7. Eric talks about audition
8. “Shandi”
9. “All Hell’s Breakin’ Loose”
10. “Dial L For Love”
11. “Elephant Man”
12. Eric Talks about Mark St. John
13. “Midnite Stranger”
14. “Eyes Of Love”
15. Bill Aucoin talks about Eric
16. “Through The Years”
17. “I Cry at Night”
18. Eric kidding around at a Kiss album rehearsal

Producer: Linda Caravello & Beth Jordan

On the 20 year anniversary of Eric Carr’s death, the Caravello (Carr) family decided to honor Eric by releasing Unfinished Business, an album featuring a number of  Eric’s demos that were recently fleshed out and re-recorded with the aid of a number of musicians. Also featured are voice clips of Eric Carr. A similar project called Rockology was released by the family in 1999 but that album was nothing but demos & rough mixes with the only tampering being done by former KISS band mate Bruce Kulick who tried to re-mix the tracks and improve production as best he could.

Notes about the songs:

- “Just Can’t Wait” (1987) was originally released on Rockology as an instrumental but this time around there are lyrics & vocals for it and there’s a good reason this new version comes off like Danger Danger — Ted Poley sings on it. I think it was one of the better songs from Rockology. It’s nice to hear it with a vocal track but I think it still stands as a great instrumental as well.

- “Troubles Inside You” (1987) features KISS collaborator Mitch Weissman on vocals. Sound quality isn’t that great given that it’s a demo but it’s a cool rocker.

- “No One’s Messin’ With You” (1989) is an early demo of what would morph into “Little Caesar” from Hot in the Shade.

- “Carr Jam 1981″ (which originally appeared on KISS’ Revenge album) & “All Hell’s Breakin’ Loose” (originally appeared on KISS’ Lick It Up album) are covers by the band ZO2.

- “Shandi” features Eric on vocals and comes from his 1980 KISS audition. These demo tapes remained lost until 2006 when they were rediscovered by Eric Carr’s family. The entire four-song audition was produced on CD in extremely limited quantities and released as The 1980 KISS Audition EP and sold through www.EricCarr.com. This particular version lifts Eric’s vocals from the audition tape and adds new music performances and arrangement.

- “Dial L for Love” is a near complete demo track (no vocals) from 1987. Could’ve been a really good rocker.

- “Elephant Man” never got past the lyrics stage in 1991 when Eric passed away. Music was composed for this song from scratch by Bob Gilmartin (who provides vocals & guitar) and Nick Clements. Eric’s sister and niece sing backing vocals, Twisted Sister’s A.J. Pero plays drums and Europe’s Kee Marcello provided lead guitar on the intro.

- “Midnite Stranger” comes from a demo that Eric had given ex-KISS lead guitarist Mark St. John back in 1986. Mark had contacted the Carr family in 2006 and gave them the tape and the plan was for St. John to add more guitar parts but the project was never completed due to Mark’s passing away in 2007.

- “Eyes of Love” is another song that was originally on Rockology. This version is considerably better with newly recorded music. All of Eric’s vocals remain while Seether’s John Humphrey plays the drums and Benny Doro plays everything else.

- “Through The Years” is a compilation recordings of Eric on drums from his teenage years up to live performances with KISS. Very cool thing to hear.

- “I Cry At Night” is a song from 1967. It was written by Eric and recorded by The Cellarmen, which was his very first band. Very much inspired by the Beatles and general rock/pop sound of bands at the time.

The rest of the tracks are short sound clips from interviews either with Eric or about Eric.

Overall, this is a great disc for KISS fans to add to their collection. Carr is one of the most loved members the band has ever had and this is another great trip back in time to see what a cool guy and great talent he was. Hopefully the Carr family has more demos and outtakes ready to go because I’d love for third album to come along. Hopefully we’ll get some new kick-ass versions of “Somebody’s Waiting”, “Nightmare” and “Can You Feel It” if that ever comes about!

Highlights: “Just Can’t Wait”, “Troubles Inside You”, “Shandi”, “All Hell’s Breakin’ Loose”, “Eyes of Love”, “Through The Years”

www.EricCarr.com
www.facebook.com/pages/Eric-Carr-Official/146128105398320

Buy this album at Amazon.com

Upcoming Reviews…

Be on the lookout for reviews for Slash’s new live album, the new Eric Carr anthology and the latest from Riot!

Bon Jovi – Slippery When Wet

Bon Jovi – Slippery When Wet (1986, Mercury Records)

1. “Let It Rock” … 5:25
2. “You Give Love a Bad Name” … 3:44
3. “Livin’ on a Prayer” … 4:09
4. “Social Disease” … 4:18
5. “Wanted Dead or Alive” … 5:08
6. “Raise Your Hands” … 4:16
7. “Without Love” … 3:30
8. “I’d Die for You” … 4:30
9. “Never Say Goodbye” … 4:48
10. “Wild in the Streets” … 3:54

Band:
Jon Bon Jovi – Lead Vocals, Guitar
Richie Sambora – Guitar, Backing Vocals
Alec John Such – Bass, Backing Vocals
Tico Torres – Drums
David Bryan – Keyboards, Backing Vocals

Producer: Bruce Fairbairn

Hard to believe I haven’t spoken about this ’80s classic yet! In fact, this is one of the best rock albums of all time, in my opinion. Alongside other multi-platinum ’80s hard rock monsters like Back In Black, Pyromania and Appetite for Destruction, Slippery When Wet was a game changer and has continued to influence bands up until today.

When I first got into the CD game, this was one of the first CDs I owned because Bon Jovi was one of the first bands I got into when I actually started taking an interest in music (Guns ‘N Roses & Poison were my other early faves as a teenager). Still, I have remembrances of this album when I was a kid. This was an album that you would’ve had to have been deaf to avoid in ’86/’87. MTV, radio, skating rinks, school dances, my sister’s stereo… It was all over the place!

Some of the songs have aged worse than others because of the keyboards (“Without Love”, “I’d Die For You”) but I still say every track is a classic and they’ll all have you singing along in no time. Virtually any song here could’ve been a hit if it went to radio. Slippery When Wet is to Bon Jovi what Hysteria is to Def Leppard and the 12x platinum sales in the U.S. alone prove it.

The funny thing is, it’s been said that had this album not been successful, the story goes Bon Jovi was more than likely going to be dropped by the record label because the last two albums weren’t big hits (only the self-titled debut made a ripple) and this was basically their last chance. The label told the label to work with Desmond Child as a co-writer and gave them solid but then-unknown producer Bruce Fairbairn (with engineering by a young Bob Rock) and the rest is history…

Timeless and yet still a sign of the times (this album always makes me think of the typical ’80s mall) Slippery When Wet is a pop-metal masterpiece (yes, Jon, you were once a pop-metal band) that I’ll always keep coming back to. Essential listening for ’80s rock fans.

Highlights: Um… All of them.

http://www.bonjovi.com/
http://www.facebook.com/BonJovi

Buy ‘Slippery When Wet’ on Amazon.com

Reckless Love – Animal Attraction

Reckless Love – Animal Attraction (2011, Universal Music/Spinefarm Records UK)

1. “Animal Attraction”
2. “Speedin’”
3. “Born To Break Your Heart”
4. “Hot”
5. “Fantasy”
6. “Dirty Dreams”
7. “Dance”
8. “Fight”
9. “Switchblade Babe”
10. “On The Radio
11. “Coconuts

Band:
Olli Herman – Vocals
Pepe – Guitar
Jalle Verne – Bass
Hessu Maxx – Drums

Producer: Ilkka Wirtanen

Reckless Love came out of nowhere last year and delivered one of my favorite albums for 2010 so I was pretty enthusiastic when I heard a new album was coming in 2011. Fans of the band’s self-titled debut will not be disappointed with Animal Attraction.

Olli & the boys have given the world another great collection of slick ‘n’ polished glam & pop-metal. Whether it’s the sleazy “Animal Attraction”, the anthemic ”Hot” & “On The Radio”, the Euro-pop of “Dirty Dreams”, the hard pop groove of “Dance” (seriously, this could be a club hit in the U.S.), the hard rockin’ “Fight” or the somewhat quirky “Coconuts” (channeling Diamond Dave?) Reckless Love have proven themselves as kings of modern glam metal.

This album is just so darn catchy that I think I would rank it slightly above the debut (the album cover & new logo are certainly an improvement) but the guys really haven’t changed their style a bit. Anyone who likes the melodic hard rock/pop acts of the ’80s (Danger Danger, Def Leppard, David Lee Roth, Bon Jovi, KISS, etc.) is going to dig Animal Attraction.

These guys are a hit in their native Finland. Too bad albums such as this one go unnoticed here in America. Someone like Def Leppard or Poison or KISS needs to step up and take them out on the road next summer.

Highlights: “Animal Attraction”, “Speedin’”, “Hot”, “Fantasy”, “Dirty Dreams”, “Dance”

http://www.recklesslove.com
http://www.facebook.com/RecklessLove

Buy ‘Animal Attraction’ on Amazon.com

Steel Panther – Balls Out

Steel Panther – Balls Out (2011, Universal Republic Records)

1. “In The Future” … 1:28
2. “Supersonic Sex Machine” … 3:10
3. “Just Like Tiger Woods” … 3:41
4. “17 Girls In A Row” … 3:41
5. “If You Really, Really Love Me” … 2:25
6. “It Won’t Suck Itself” … 2:54
7. “Tomorrow Night” … 2:58
8. “Why Can’t You Trust Me” … 4:01
9. “That’s What Girls Are For” … 3:59
10. “Gold-Digging Whore” … 3:55
11. “I Like Drugs” … 4:19
12. “Critter” … 3:38
13. “Let Me Come In” … 3:30
14. “Weenie Ride” … 4:20

Band:
Michael Starr – Lead Vocals, Backing Vocals
Satchel – Lead Guitar, Backing Vocals
Lexxi Foxxx – Bass, Backing Vocals
Stix Zadinia – Drums, Backing Vocals

Additional Musicians:
Chad Kroger – Vocals (“It Won’t Suck Itself”)
Dane Cook – Spoken Words (“In The Future”)

Producer: Jay Ruston

The mighty Steel Panther has returned with another round of heavy metal parody. What’s great about these guys is that while they certainly have the glam-metal mimbo image down pat, these guys can actually get pretty heavy when they want to. Just check out “Death To All But Metal” from Feel The Steel or this album’s “Supersonic Sex Machine” (which apes Judas Priest’s “Rapid Fire” quite well). As far as musicianship goes, these guys are no joke.

There’s a bit of a trade-off with this album in comparison to Feel The Steel. FTS had funnier songs (“Asian Girl”, “Death To All But Metal”, “Eatin’ Ain’t Cheatin’”, “Community Property”) but I think overall Balls Out is a much more consistent listen. And this is coming from someone who LOVED Feel The Steel! I’m not sure if the joke has played itself out or what, maybe it’s a case of “been there, done that” but I wasn’t as entertained by the lyrics this time.

Don’t get me wrong, the lyrics are humorous and still a big part of Steel Panther’s charm. They are, after all, a parody and you get the overly sexist lyrics that belittle women (seventeen women if you believe Michael’s tale in “17 Girls in a Row”) with references to anal sex, oral sex, gold diggers, “weenie rides”, drugs and masturbation while asking important questions like “Why can’t you trust me?”

Musically, their style hasn’t changed a bit. It’s glam, it’s hard rock, it’s heavy metal! Bon Jovi, Def Leppard, Van Halen, Motley Crue, Warrant, Poison, Ratt, etc. are still the main influences and Satchel gets to show off just how much of a monster he is with his guitar. There’s some filler such as “Weenie Ride” and “I Like Drugs” but overall this is a very strong rock/metal release that puts it near the top of the pack for 2011.

Highlights: ”Supersonic Sex Machine”, “Just Like Tiger Woods”, “17 Girls In A Row”, “It Won’t Suck Itself”, “If You Really, Really Love Me”, “Critter”

http://www.steelpantherrocks.com/
http://www.facebook.com/steelpantherkicksass

Buy ‘Balls Out’ at Amazon.com

Alice Cooper – Welcome 2 My Nightmare

Alice Cooper – Welcome 2 My Nightmare [Classic Rock Fan Pack Exclusive Limited Edition] (2011, Universal Music Enterprises/Spinefarm Records UK/Nightmare Inc.)

1. “I Am Made Of You”
2. “Caffeine”
3. “The Nightmare Returns”
4. “A Runaway Train”
5. “Last Man On Earth”
6. “The Congregation”
7. “I’ll Bite Your Face Off”
8. “Disco Bloodbath Boogie Fever”
9. “Ghouls Gone Wild”
10. “Something To Remember Me By”
11. “When Hell Comes Home”
12. “What Baby Wants”
13. “I Gotta Get Outta Here”
14. “The Underture”
Bonus Tracks:
15. “Under The Bed”
16. “Poison” (Live at Download Festival)

Band:
Alice Cooper – Vocals
Steve Hunter – Guitar
Damon Johnson – Guitar
Tommy Henriksen – Guitar, Bass, Keyboards, Backing Vocals
Chuck Garric – Bass
Glen Sobel – Drums

Additional Musicians:
Michael Bruce – Guitar, Keyboards, Backing Vocals
Dennis Dunaway – Bass, Backing Vocals
Neal Smith – Drums, Percussion, Backing Vocals
Ke$ha – Vocals
Dick Wagner, John 5, Keith Nelson, Tommy Denander, Vince Gill, Keri Kelli, Patterson Hood, Pat Buchanan – Guitar
Piggy D, David Spreng, Jimmie Lee Sloas – Bass
Jimmy DeGrasso, Scott Williamson – Drums
Rob Zombie, Kip Winger – Backing Vocals

Welcome 2 My Nightmare is a reunion for all different eras of Alice Cooper. Take a look at the credits! The surviving members of the original group are here (Bruce, Dunaway & Smith) and they have some co-writing credits too, the original Nightmare era guitar duo of Steve Hunter (back in the band full-time) and Dick Wagner are present, more recent Alice gunslingers Kerri Kelli and Damon Johnson (who recently left and has been replaced by Orianthi of all people!), Jimmy DeGrasso, Piggy D (who worked with Alice on “Keepin’ Halloween Alive”), Kip Winger sings backing vocals, Desmond Child co-wrote “I Am Made of You” and Bob Ezrin is producing!

I think pretty much all eras of Alice are represented! I’m surprised Alice didn’t bring back Eric Singer, Derek Sherinian, Ryan Roxie, Eric Dover, Kane Roberts and Jason Hook! In addition to all of those people, Rob Zombie, Vince Gill, John 5 and Ke$ha also perform.

All of this star-power and buzz over doing a sequel to Welcome To My Nightmare has worked as the album sold roughly 21,ooo copies and debuted at #22 on the Billboard charts. This is Alice’s best chart debut since Trash.

Before I get into the music, I want to say that this Alice Cooper Fan Pack from Classic Rock magazine is just outstanding. I had ordered the Fan Pack for Whitesnake’s Forevermore and while that was a good package, this is even better. Not only do you get the album (in what I guess what is the standard hardcover booklet format for these Fan Packs) but there’s a School’s Out pin, Alice Cooper face paint, Alice cut-out face mask, 2 two-sided posters and finally the 132 page magazine called Classic Rock Presents Alice Cooper.

With that out of the way, I will agree that this album is a “return to form” in that it has returned Alice to his old school schizophrenic ways. After dabbling in industrial metal and garage rock for the last decade, Alice is back to genre-hopping. Auto-tune, Rolling Stones, disco, pop-rock, surfer music, symphonies, Tom Petty, rag-time… It all has a home on this album.

The good/bad thing about Alice is that he’s never been afraid to throw his blood-stained top hat in to practically any genre of music. Case in point, after starting off with the piano from “Steven”, “I Am Made of You” is a ballad complete with vocals done in auto-tune and some electronic beats in the background and a piano. I did not like it when I first heard it, but the song has grown on me and is now one of my favorite tracks here. Next, “Caffeine” kicks in with some rowdy rock ‘n’ roll. My first thought when hearing it was that it sounded like Velvet Revolver. Well, I wasn’t too far off because song was co-written by Buckcherry’s Keith Nelson. This and “I’ll Bite Your Face Off” (with its Stonesy vibe) are the most straight forward rockers of the bunch. “The Nightmare Returns” is a short instrumental still incorporating parts of “Steven”.

“The Congregation” is a pretty good Beatles-inspired number that sounds like a track from The Last Temptation but it took me a few listens to get in to. And hey, what album would be complete without that classic Alice ballad? Here that song is “Something To Remember Me By”, a great companion to those late ’70s ballads of his. The next highlight on this album for me is “What Baby Wants”. A true guilty pleasure for sure, it’s a pop/rock song featuring Ke$ha. The final two standouts is the Tom Petty-ish “I Gotta Get Outta Here” and the Fan Pack exclusive “Under The Bed”, a mid-tempo ballad that could’ve come from the Hey Stoopid era.

So, like I said, there is good and bad when Alice attempt to cover so many genres. When he succeeds, he really succeeds. When he fails… yuck. With Vince Gill on guitar, the country-rocker “A Runaway Train” can’t go away fast enough but I can kinda here old school Alice in it. Immediately following is the vaudevillian rag-time of “Last Man on Earth”. Just awful but I can’t decide if it’s worse than “When Hell Comes Home” (which is garnering rave reviews for featuring all the surviving members of the original group).

As for “Disco Bloodbath Boogie Fever”, that’s just goofy fun. Something you might hear from Alice in the early ’80s. Basically filler as is the surf rock of “Ghouls Gone Wild”. “The Underture” closes out the standard edition of the album and it’s an instrumental bring in pieces of songs from both Welcome To My Nightmare and this album.

Overall, the songs are just so varied I think you have to really be patient and let it all soak in. After the first listen, my head was spinning was variety of music. With each listen, I’m picking up on songs more than I had before and while there are some really bad songs on this disc, they are few and far between and the songs I like I like A LOT. Having said that, Welcome 2 My Nightmare is easily Alice’s best since The Eyes of Alice Cooper if not The Last Temptation.

Highlights: “I Am Made Of You”, “Caffeine”, “The Congregation”, “I”ll Bite Your Face Off”, “Something To Remember Me By”, “What Baby Wants”, “I Gotta Get Outta Here”, “Under The Bed”

http://www.AliceCooper.com
http://www.facebook.com/AliceCooper

Buy ‘Welcome 2 My Nightmare’ at Amazon.com

Bonus Words:

Welcome 2 My Nightmare continues a rather disturbing trend of offering different bonus tracks depending on which edition you buy: the regular edition of this album has no bonus tracks, the Classic Rock Fan Pack has “Under the Bed” and a live version of “Poison”, the deluxe edition features a cover of The Animals’ “We Gotta Get out of This Place” and live versions of “No More Mr. Nice Guy” & “The Black Widow”, the vinyl album has “Flatline” and finally iTunes gets the exclusive “A Bad Situation” (which you can’t even purchase as a single, you HAVE to buy the whole album to get it).

I really couldn’t care less about the live tracks but there are four brand new tracks scattered about that I would have loved to have been included on at least ONE edition of the album so I could just buy that one! It’s a cash grab and I don’t think this practice is very fair to the fans. I can’t imagine a significant number of fans are going to buy all of these albums to get those handful of bonus tracks because you’re looking at someone having to spend $80-100 total to snatch up all of these editions. I really don’t understand the thought process here and Alice isn’t the only artist guilty of it. If anything, this only seems to increase the likelihood of illegal downloading.

After that little rant, I have to be honest: I have two copies. The CR Fan Pack and then a standard edition (no bonus tracks) that came with Alice’s autograph when you pre-ordered… Hey, at least I didn’t buy an extra copy for bonus tracks!

Jani Lane (1964-2011)

Sadly, late last night Jani Lane, former Warrant lead vocalist & main songwriter, was found dead in a hotel room in Woodland Hills, California. As of this writing, the cause of death had not been determined but a bottle of vodka and prescription pills were found in his room and it’s been said the authorities are treating his death as an accidental overdose. It’s no secret that Jani has been battling his addictions for many years. On more than one occasion it even seemed like he had won the fight only to relapse some time later.

Born John Kennedy Oswald in Akron, Ohio on February 1, 1964, Jani was exposed to music at an early age by his brother Eric who played guitar. At age 4 Jani was an amateur drummer and by the age of 11 he was playing in clubs as “Mitch Dynomite” and drumming for various bands. He continued to do this all throughout high school but soon decided he would rather be a singer and songwriter instead of a drummer. After graduating high school, Jane played in a few bands in Ohio (still drumming) before relocating to Florida in 1983 where after another stint as a drummer he formed the band Plain Jane with future Warrant drummer Steven Sweet.

Lane & Sweet later moved to Los Angeles still using the Plain Jane name and playing the local club circuit until running across Warrant guitarist Erik Turner in 1986 when they were then invited to join the band.

Rightfully or wrongfully, Jani Lane was known as and will always be remembered as “the ‘Cherry Pie’ guy”. At one time, that was a distinction that Jani loathed. He detested the song and hated himself for ever having written it because he knew that he and Warrant had so much more to offer the world than just one song written literally in a matter of minutes at the behest of some music execs. Warrant was not a one-hit wonder. Though “Sometimes She Cries” and “I Saw Red” were radio hits, the band had massive success with the power ballad “Heaven” in 1989 (which actually charted higher than “Cherry Pie” ever did) but it was in 1990 that “Cherry Pie” hit the airwaves and MTV and went on to become one of the essential and best loved songs of its genre and era. Loaded with innuendo, the song and the accompanying music video (featuring Bobbi Brown, model & future wife of Jani’s) helped push Warrant into a bigger spotlight.

With the rise of grunge and the stagnation of the pop-metal scene, Warrant found themselves “only” selling roughly 500,000 copies of 1992′s Dog Eat Dog (compared the double platinum sales of both 1988′s Dirty Rotten Stinking Filthy Rich and 1990′s Cherry Pie album). That’s a feat that I think is pretty impressive considering the musical climate at the time. Funny how in ’92 going gold was considered a disappointment whereas today that’s a success story. Dog Eat Dog was the band’s final major label release and Jani would leave the group in March 1993.

For more than a year the band sat in limbo until Jani returned in the fall of 1994. Faced with a shrinking fan base, a changing culture, music snobs and a lack of interest from the major labels, the band spent the mid ’90s in confusion. They managed to release two studio albums during this time — Ultraphobic (1995) and Belly to Belly (1996) on the independent CMC International label (which for a few years was a safe-haven for ’80s rockers). Both have been unfairly overlooked and while they feature a band perhaps trying too hard to fit in with the times, I still think they are solid efforts and serve as a testament to Jani’s songwriting abilities.

In the late ’90s/early 2000s, hair bands became a nostalgic treat for many people and many summer package tours were being put together and music magazines such as Metal Edge and music channel VH1 were paying slightly more attention to ’80s rockers. Warrant was one of the main bands to reap the towards of this mini-comeback and though they did not release a studio album of new original material during this time (a missed opportunity, in my opinion) they released the live album Warrant Live 86-97 in 1997, Greatest & Latest in 1999 (re-recordings of their biggest hits with a few unreleased tracks) and an album of covers called Under the Influence in 2001. It was also during this time that Jani Lane was working on a solo project called Jabberwocky which has not yet seen the light of day (and now may never) although he did release an unrelated solo album called Back Down to One in 2003.

Sadly, Under the Influence would be the last album Jani recorded as a member of Warrant. Personal and business matters would force Jani to leave the group for a second time in 2004. After a four-year run with Black N’ Blue vocalist Jaime St. James (where they released Born Again in 2006), Lane returned to the group in January 2008 but by September of that same year he left yet again with both sides agreeing they were better off without each other. Unlike the split in 2004, this final exit seemed to be a bit more amicable. Robert Mason (Big Cock vocalist/ex-Lynch Mob vocalist) would go on to join Warrant, touring with the band and recording the excellent Rockaholic which was released earlier this year.

Outside of Warrant, in the last decade Jani kept busy writing songs for himself & other artists, touring solo, appearing on various tribute albums and even was on a season of VH1′s Celebrity Fit Club. In 2008, a side-project called Saints of the Underground (featuring Lane, Bobby Blotzer, Robbie Crane & Kerri Kelli) released the album Love the Sin, Hate the Sinner which also went unnoticed but was a great mix of ’80s hard rock with a modern feel.

In the summer of 2010, Jani began filling in as vocalist for Great White at live shows while lead singer Jack Russell recovered from surgery. It was during this time that Great White played a show with Warrant and by all accounts everyone was cordial and got along even if the situation was a bit awkward.

There will be much speculation until an official autopsy is released but there is no question that Jani was a very talented man who was held back by his addictions and the fact that he could never completely sober up. After all these years of abuse, it’s really amazing that his voice still held up. Even as late as last year, he was still pulling it off live (though years ago there were times that he would take the stage drunk and stumble and slur his way through shows) and was he personable and entertaining. Just imagine what he could have accomplished without all of the vices.

I’ve always said Jani was the best songwriter from the pop-metal field. Amazing lyricist. His ballads are second-to-none. He could obviously write the fun, brain-dead, sex-fueled song when he wanted to (or was told to) but “Sometimes She Cries”, “I Saw Red”, “Blind Faith”, “Let It Rain” and “Stronger Now” are all fantastic and some of my favorite ballads from ANY band. Those songs show a much deeper, thoughtful side.

Jani was much more than “the ‘Cherry Pie’ guy” to me. I know there are plenty of people who don’t like Warrant. For whatever reason, they seem to be one of the least respected of the major glam-metal bands but just because Jani’s dead I’m not going to sit here and now say that they were a Top 5 of All Time band for me. They weren’t. But I’ve always liked Warrant a lot. They were one of the first glam bands I became a fan of and I have often found hope, inspiration and entertainment in Jani’s lyrics.

Like most of the millions of mourning today, I did not know Jani personally but other than his addictions and the actions caused by them (such as drunk driving), I can’t recall ever really hearing or reading anything negative about him. Sure, egos explode and bands implode but from every interview I’ve read or live clip I’ve seen of the guy, he always came across as a really likable, charming, fun-loving guy who enjoyed performing. It’s heartbreaking to think that his final night on earth was spent with pills and alcohol alone in a hotel room. Obviously, for that situation to occur, there is a bigger, darker story at play but I’ll leave that to his family and close friends to ponder and investigate as it is none of my business. As for myself, I can only say that we lost a great musician much too soon and much too needlessly.

Babylon A.D. – Nothing Sacred

Babylon A.D. – Nothing Sacred (1992, Arista Records)

1. “Take the Dog Off the Chain” … 4:40
2. “Bad Blood” … 3:57
3. “So Savage the Heart” … 5:14
4. “Sacrifice Your Love” … 5:36
5. “Redemption” … 4:57
6. “Down the River of No Return” … 3:08
7. “Psychedelic Sex Reaction” … 4:28
8. “Dream Train” … 4:52
9. “Blind Ambition” … 4:31
10. “Slave Your Body” … 3:50
11. “Of the Rose” … 1:36
12. “Pray for the Wicked” … 4:27

Band:
Derek Davis – Vocals
Danny DeLaRosa – Guitar, Banjo
Ron Freschi – Guitar, Backing Vocals
Robb Reid – Bass, Backing Vocals
Jamey Pacheco – Drums

Producer: Tom Werman

The second and final major label album from Babylon A.D. and they couldn’t have picked a worse time to release it! Or a worse label to be on! Despite the wind of change that was in the air at this time, this album is pretty good.

Overall, I don’t think it’s consistent as the debut.The first five tracks are inoffensive but come off as uninspired. The ballad “So Savage the Heart” seems to be cited as the album’s highlight and people say it shoulda/woulda/coulda bee a sure-fire radio hit had it been released a few years earlier but I’m just not feeling it.

The album’s best ballad is “Down the River of No Return” (which reminds me of Zeppelin at times) and once that comes on, things start looking up and the rest of the album is golden. “Psychadelic Sex Reaction”, “Dream Train” and “Blind Ambition” bring a bit more swagger than earlier the tracks do. “Slave Your Body” is 100% hair metal in all its glory, fading or not, and is probably the best rocker of the whole bunch. “Of the Rose” is a really cool acoustic instrumental and the album wraps up with another hairy effort – “Pray for the Wicked”.

I don’t think this album charted at all and it wouldn’t be long before the band split up only to reunite and release American Blitzkrieg in 2002. Haven’t checked that one out yet but I probably should. Guitarist Ron Freschi would later go on to form Syrym (which has a sound very similar to Babylon A.D.) in 2007 and drummer Jamey Pachecho would join in 2008. According to Wikipedia (always the world’s leading news source), Babylon A.D. has reunited yet again and as of 2010 they were working on new material and released a new version of “Bang Go the Bells” for digital download.

Highlights: “Down the River of No Return”, “Psychedelic Sex Reaction”, “Dream Train”, “Blind Ambition”, “Slave Your Body”, “Of the Rose”, “Pray for the Wicked”

http://www.facebook.com/pages/Babylon-AD/94489869543
http://www.babylonad.com

Buy ‘Nothing Sacred’ at Amazon.com!

Def Leppard – X

Def Leppard – X (2002, Island Records)

1. “Now” … 3:58
2. “Unbelievable” … 3:58
3. “You’re So Beautiful” … 3:31
4. “Everyday” … 3:08
5. “Long Long Way To Go” … 4:38
6. “Four Letter Word” … 3:07
7. “Torn to Shreds” … 2:56
8. “Love Don’t Lie” … 4:46
9. “Gravity” … 2:33
10. “Cry” … 3:17
11. “Girl Like You” … 2:49
12. “Let Me Be the One” … 3:29
13. “Scar” … 4:59

Band:
Joe Elliott – lead vocals
Rick “Sav” Savage – bass guitar, vocals
Rick Allen – drums
Vivian Campbell – guitar, vocals
Phil Collen – guitar, vocals

Producer: Pete Woodroffe & Def Leppard

It’s been a long time coming but I finally sat down and gave this album another spin. I bought it as soon as it came out and probably gave it 4 or 5 spins before deciding it was a disappointing follow-up to Euphoria. 9 years later, I’m listening to it again. I would’ve actually checked it out (again) a few years earlier but I lost my copy and finally snagged another copy a year or two ago.

Euphoria was no slouch of an album. It’s their most recent album to go gold, “Promises” was a minor radio hit, the album was hailed as a return to form by fans & critics alike after the alternative leanings of Slang and the band was all over VH1 at the time enjoying the renewed popularity that many “eighties bands” were experiencing.

So why, then, did the band go in yet another direction by turning in their poppiest, softest-rocking album to date? Well, I guess the lure of the almighty dollar was just too much. Sure, they sold 500,000 copies of the last album but what about going double platinum like Bon Jovi did?

Obviously inspired by the success of Bon Jovi’s Crush and “It’s My Life”, Def Leppard recruited some of the very same songwriters that the boys from Jersey had partnered with on that 2000 release. Names like Max Martin, Andreas Carlsson and Wayne Hector were all over the place in the late ’90s/early ’00s as they wrote hits for a number of boy bands like Backstreet Boys and pop tarts like Britney Spears. The band was obviously content to just let the “hits” come to them as not a single member had a hand in writing “Unbelievable” or “Long Long Way to Go”!

It blew my mind at the time that Def Leppard was able to recover from the cold response for Slang by handing in Euphoria (one of their best albums, IMO) and then do another turnaround with X. I actually lost a bit of respect for the band at the time because it was such an obvious cash grab and phony attempt at staying relevant.

Nine years on, my judgment isn’t as clouded and I can look back and say there are a number of good tracks on this album despite a few tracks where the band tries to play the role of a boy band. Funny thing is, the songs I ended up liking most are on the first half of the album — the half that features lots of outside co-writing credits! Tracks 6-13 were all written by the band with only producer Pete Woodroffe stepping in to co-write a few songs.

The one song I instantly loved off this album was “Now”. To me, that is a classic Def Leppard sounding song and actually does sound like something to follow-up Euphoria with. “Scar” is another very good guitar-oriented song that rocks a bit harder than the rest and sounds close to something they might’ve done in the ’80s.

The album is full of mid-tempo numbers and ballads. It’s a complete pop album but I have a lot more respect for it now. It’s not a classic but it’s not bad at all and I upgrade it to “decent” and remove it’s previous status of “bland”. Maybe I’m going soft.

Highlights: “Now”, “Unbelievable”, “You’re So Beautiful”, “Everyday”, “Love Don’t Lie”, “Cry”, “Scar”

http://www.defleppard.com
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Buy ‘X’ on Amazon.com! (See all Pop Music CDs)

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