Blog Archives
CHEAP TRICK – At Budokan

Cheap Trick – At Budokan (1979, Epic Records)
1. “Hello There” … 2:27
2. “Come On, Come On” … 3:17
3. “Lookout” … 3:01
4. “Big Eye” … 3:55
5. “Need Your Love” … 8:46
6. “Ain’t That A Shame” … 5:09
7. “I Want You To Want Me” … 3:45
8. “Surrender” … 4:25
9. “Goodnight” … 3:08
10. “Clock Strikes Ten” … 4:01
Band:
Robin Zander – Vocals, Guitar
Rick Nielsen – Guitar
Tom Petersson – Bass
Bun E. Carlos – Drums
Produced by: Cheap Trick
Another live album where it just happened to be my first exposure to the band. Of course, I was already familiar with most of Cheap Trick’s biggest singles. I was interested in hearing an album from them so I went with their most legendary release, which had done wonders for the band’s popularity (much like Alive! did for KISS) upon its release.
This album didn’t convert me into a huge Cheap Trick fan or convince me to pick up any of their other releases, but it’s still a fine release and I suppose every rock fan should at least listen to this album once just to form their own opinion on one of rock’s most famous albums. It’s hard to argue with catchy energetic songs like “Big Eye”, “I Want You To Want Me” and “Surrender”.
“Need Your Love” is my favorite track from this album. Sounds like an obvious influence for some of the trippy poppy stuff Stone Temple Pilots would do in the 90s.
Highlights: “Big Eye”, “Need Your Love”, “Ain’t That A Shame”, “I Want You To Want Me”, “Surrender”
BON JOVI – One Wild Night: Live 1985-2001

Bon Jovi – One Wild Night: Live 1985-2001 (2001, Island Records)
1. “It’s My Life” … 3:51
2. “Livin’ on a Prayer” … 5:13
3. “You Give Love a Bad Name” … 3:53
4. “Keep the Faith” … 6:19
5. “Someday I’ll Be Saturday Night” … 6:30
6. “Rockin’ in the Free World” … 5:40
7. “Something to Believe In” … 6:00
8. “Wanted Dead or Alive” … 6:00
9. “Runaway” … 4:47
10. “In and Out of Love” … 6:12
11. “I Don’t Like Mondays” … 5:58
12. “Just Older” … 5:13
13. “Something for the Pain” … 4:22
14. “Bad Medicine” … 4:19
15. “One Wild Night 2001″ … 3:46
Band:
Jon Bon Jovi – Vocals, Guitar, Percussion
Richie Sambora – Guitar, Backing Vocals
David Bryan – Keyboards, Backing Vocals
Tico Torres – Drums, Percussion
Additional Musicians:
Alec John Such – Bass, Backing Vocals (“Runaway” and “In and Out of Love”)
Hugh McDonald – Bass, Backing Vocals
Bob Geldof – Vocals (“I Don’t Like Mondays”)
Produced by: Obie O’Brien, Bon Jovi, Luke Ebbin, Desmond Child
Although I’ve yet to see Bon Jovi in person, I’ve seen tons of live Bon Jovi performances over the years on television and video. They’ve always delivered and this, their first live album, is no different with “Someday I’ll Be Saturday Night” being an especially inspired performance. I usually don’t give live albums extended play, but this is one of the few live release I have in my collection that I did just that. You can never go wrong with Bon Jovi (when they’re singing the classics).
Seven of the fifteen tracks were recorded in 2000, four are from 1995, “Something to Believe In” is from ’96 and only “In and Out of Love” and “Runaway” are from 1985. I think it’s very strange they didn’t include any performances from their commercial peak (’87-’92) and I would have preferred most of the songs to be from that era. They probably included so many then-recent performances to show people it was still worth coming out to their shows in 2001. Only two of these songs were recorded in the US, which I find weird as well.
“One Wild Night 2001″ is a needless remix of, you guessed it, “One Wild Night” from Crush the previous year. Fine for what it is (one of the hardest rocking songs from Crush), but it’s neither better or worse than the original.
Highlights: “It’s My Life”, “You Give Love a Bad Name”, “Someday I’ll Be Saturday Night”, “Runaway”, “I Don’t LIke Mondays”, “Something for the Pain”, “Bad Medicine”
AEROSMITH – Nine Lives

Aerosmith – Nine Lives (1997, Columbia Records)
1. “Nine Lives” … 4:01
2. “Falling in Love (Is Hard on the Knees)” … 3:25
3. “Hole in My Soul” … 6:10
4. “Taste of India” … 5:53
5. “Full Circle” … 5:00
6. “Something’s Gotta Give” … 3:36
7. “Ain’t That a Bitch” … 5:25
8. “The Farm” … 4:27
9. “Crash” … 4:25
10. “Kiss Your Past Good-Bye” … 4:31
11. “Pink” … 3:55
12. “Attitude Adjustment” … 3:44
13. “Fallen Angels” … 8:16
Band:
Steven Tyler – Lead Vocals, Harmonica, Keyboard, Percussion, Hammered Dulcimer
Joe Perry – Guitar, Backing Vocals, Dulcimer, Slide Guitar
Brad Whitford – Guitar
Tom Hamilton – Bass, Chapman stick
Joey Kramer – Drums
Produced by: Aerosmith and Kevin Shirley
This was my first Aerosmith album and it was just a weird time for me in general what with being in high school and all. I used to come home and listen to this album everyday so it takes me back to those early high school years whenever I hear this.
Definitely not one of Aerosmith’s best. Half the tunes are good, the rest is trash and I’m not a fan of the “taste of India” (if you’ll pardon the pun) that the band gave this album. “Hole in My Soul” and “Falling in Love (Is Hard on the Knees)” are really good Pump/Get a Grip-era Aerosmith tunes though.
Aerosmith has done some great commercial hard rock, but they’re always better when they just stick with the bluesy hard rock and this album was far from that sound and should probably only be picked up by completists. But hey, this album went double platinum in the middle of the alternative rock scene, so what do I know?
Highlights: “Falling in Love (Is Hard on the Knees)”, “Hole in My Soul”, “Full Circle”, “Ain’t That a Bitch”, “Crash”, “Kiss Your Past Good-Bye”, “Fallen Angels”
BUTCH WALKER – Left of Self-Centered

Butch Walker – Left of Self-Centered (2002, Arista Records)
Track List:
1. “Rock Vocal Power” … 1:56
2. “My Way” … 4:00
3. “Suburbia” … 4:07
4. “Trouble” … 3:58
5. “Alicia Amnesia” … 3:42
6. “Sober” … 3:20
7. “Into the Black” … 3:38
8. “Get Down” … 4:03
9. “Far Away from Close” … 3:52
10. “Diary of a San Fernando Sexx Star” … 3:39
11. “If (Jeannie’s Song)” … 4:53
12. “Take Tomorrow (One Day at a Time)” … 4:30
13. — … 14:58
14. “Get Stupid with You”… 4:58
Band:
Butch Walker – Vocals, Guitar, Bass, Piano, Keyboard
Additional Musicians:
Nikki Sixx – Bass
Greg Lee – Bass
Kenny Cresswell – Drums, Backing Vocals
Mitch “Slug” McLee – Drums
Jim Ebert – Moog Synthesizer, Keyboard
Matt Mahaffey – Keyboard, Scratching
Chrystina Lloree – Backing Vocals
Peter Searcy – Cello
Harold Sellers – Congas
Produced by: Butch Walker, Jim Ebert, Matt Mahaffey
With a career only spanning three albums (though I’m forever holding out hope a we’ll get a reunion and a fourth release someday), Marvelous 3 became one of my favorite bands and produced one of my favorite albums with ReadySexGo. Marvelous 3 called it quits in 2001 and front man/songwriter Butch Walker surfaced in 2002 with this, his very first solo release.
It’s very much a continuation of what Marvelous 3 had been doing with the great blend of glam, punk, pop and hard rock. Nothing but giant hooks and huge choruses. If M3 had stuck around and followed ReadySexGo with a new album, I can’t imagine it sounding much different than this. Unfortunately, Left of Self-Centered would be the last in-your-face hard rock/pop release by Butch Walker, I guess he’d rather write & produce those types of songs for other artists (Avril Lavigne, Lit, Fall Out Boy, Katy Perry, Pink) than himself because his albums since have been a bit more emo, mellow and acoustic than I would like.
Butch certainly does have a way with words and great sense of humor. I like how the lyrics flow together and the next line plays off the previous one. The lyrics are almost as enjoyable as the music itself.
“My Way” was the song during the opening credits of the awful Jason Lee/Tom Green movie ‘Stealing Harvard’, if I’m not mistaken.
“Get Stupid with You” is a “hidden” asTrack 14. Track 13 is nearly 15 minutes of silence.
Highlights: “My Way”, “Suburbia”, “Trouble”, “Alicia Amnesia”, “Sober”, “Into the Black”, “Get Down”, “If (Jeannie’s Song)”
AEROSMITH – Just Push Play

Aerosmith – Just Push Play (2001, Columbia Records)
Track List:
1. “Beyond Beautiful” … 4:45
2.”Just Push Play” … 3:51
3. “Jaded” … 3:34
4. “Fly Away from Here” … 5:01
5.”Trip Hoppin’” … 4:27
6. “Sunshine” … 3:37
7. “Under My Skin” … 3:45
8. “Luv Lies” … 4:26
9. “Outta Your Head” … 3:22
10. “Drop Dead Gorgeous” … 3:42
11. “Light Inside” … 3:34
12. “Avant Garden” … 4:52
Band:
Steven Tyler – Vocals, Harmonica, Piano, Guitar, Drums
Joe Perry – Guitar, Vocals
Brad Whitford – Guitar
Tom Hamilton – Bass
Joey Kramer – Drums
Additional Musicians:
Tony Perry – Guitar, Pedal Steel, Backing Vocals, Hurdygurdy, Slide Guitar
Jim Cox – Piano
Dan Higgins – Clarinet, Saxophone
Paul Santo – Hammond Organ, Kurzweil Synthesizer
Tower of Power – Horns
Liv Tyler – Whispering
Chelsea Tyler – Backing vocals
Produced by: Marti Frederiksen, Mark Hudson, Joe Perry, Steven Tyler
Coming four years after Nine Lives, Aerosmith continues the slick pop-polished commercial hard rock they started with 1987′s Permanent Vacation. Not that commercial Aerosmith isn’t good, they’ve knocked out some great songs since the late 80s, but I’ve always wanted them to get their 1970s hard rock edge back and songs like “Trip Hoppin’” and “Sunshine” definitely don’t have that edge.
Given years of perspective, Just Push Play is actually a decent album, but nothing great. I remember being really disappointed with it when it first came out though. It’s a better effort than Nine Lives, but the band tries to sound way too modern, in terms of production on songs like “Beyond Beautiful”, “Just Push Play” and the megahit “Jaded” and it definitely takes the bite out of the album, even if the songs are catchy. “Under My Skin” shows a bit of old school Aerosmith, but also uses the commercial sound of the band as well. Then there’s “Outta Your Head”, which kinda sounds like rap-metal in parts. Huh.
Hey, I’m not really knocking these songs. Like I said, they’re enjoyable, but way too slick. It’s time for Aerosmith to get back to their dirty rock ‘n’ roll roots.
Oh, and there’s a “hidden” reprise for “Avant Garden” at about the 5:30 mark.
Highlights: “Beyond Beautiful”, “Just Push Play”, “Jaded”, “Fly Away from Here”, “Luv Lies”, “Outta Your Head”, “Drop Dead Gorgeous”
BON JOVI – Crush

Bon Jovi – Crush (2000, Island Records/Def Jam Music)
Track Listing:
1. “It’s My Life” … 3:44
2. “Say It Isn’t So” … 3:33
3. “Thank You for Loving Me” … 5:07
4. “Two Story Town” … 5:10
5. “Next 100 Years” … 6:19
6. “Just Older” … 4:28
7. “Mystery Train” … 5:16
8. “Save the World” … 5:31
9. “Captain Crash & the Beauty Queen From Mars” … 4:31
10. “She’s a Mystery” … 5:18
11. “I Got the Girl” … 4:35
12. “One Wild Night” … 4:18
Band:
Jon Bon Jovi – Lead Vocals
Richie Sambora – Guitar, Backing Vocals
Tico Torres – Drums, Percussion
David Bryan – Keyboard, Piano, Backing Vocals
Additional Musicians:
Hugh McDonald – Bass, Backing Vocals
Produced by: Luke Ebbin, Jon Bon Jovi and Richie Sambora
5 years after the dark, somber, melancholy These Days, Bon Jovi decided it was time to make music again and went in the complete opposite direction with the very bombastic, poppy, syrupy Crush.
Not that I’m complaining. I love both albums, but while These Days took some getting used to, I instantly embraced Crush because it’s not too far removed from the usual bombastic, poppy, syrupy sounds of Bon Jovi. The only difference is the band brought in “boy band” songwriter Max Martin (“It’s My Life”) but also balanced it out with a bit more of a mature sound (“She’s A Mystery”, “Just Older”, “Save the World”).
It’s not a hard rocking album for the most part (Bounce actually rocks harder than this), it’s very much a pop album, but I still love it. “It’s My Life” though somewhat boy bandish is an incredibly catchy song and I loved that in 2000 I was hearing brand new Bon Jovi on the radio. All three singles (the other two being “Say It Isn’t So” and “Thank You For Loving Me”) are my favorite songs from the album, but the slower moments like “Mystery Train” and “She’s A Mystery” are really enjoyable too.
Probably my only complaint with be the lack of originality. I remember an old review stating that “Say It Isn’t So” and “Two Story Town” ripped off Lit and Joan Osbourne, respectively, and it’s absolutely true. “Two Story Town” seems to be such a near carbon copy of “What If God Was One of Us” that I’m surprised Joan didn’t sue. Also, their use of two “Mystery” songs has always bothered me (even though I love both songs), just like GNR’s “The Garden” and “The Garden of Eden” on Use Your Illusion I, it’s always annoyed me.
The album has a great closer with “One Wild Night” which is the one song that reminds me most of the Bon Jovi of the 80s. This song could’ve easily been on New Jersey right alongside “99 in the Shade” and “Love For Sale”.
Highlights: “It’s My Life”, “Say It Isn’t So”, “Thank You For Loving Me”, “Just Older”, “Mystery Train”, “Save the World”, “She’s a Mystery”, “One Wild Night”
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PAUL STANLEY – Live to Win

Paul Stanley – Live to Win (2006, Universal Music Group/New Door Records)
Track Listing:
1. “Live to Win” … 3:08
2. “Lift” … 4:01
3. “Wake up Screaming” … 3:00
4. “Everytime I See You Around” … 3:28
5. “Bulletproof” … 3:01
6. “All About You” … 3:16
7. “Second to None” … 3:35
8. “It’s Not Me” … 3:19
9. “Loving You Without You Now” … 3:16
10. “Where Angels Dare” … 3:22
Band:
Paul Stanley – Lead Vocals, Guitar, Percussion, Backing Vocals
Additional Musicians:
Bruce Kulick – Bass
John 5 – Guitar
Corky James – Guitar, Bass
Brad Fernquist – Guitar
Tommy Denander – Guitar
Andreas Carlsson – Guitar, Backing vocals
Sean Hurley – Bass
Victor Indrizzo – Drums
Greg Kurstin – Piano
Zac Rae – Piano
Harry Somerdahl – Keyboard
Russ Irwin – Keyboard
CC White – Backing vocals
John Shanks – Backing vocals
Produced by: Paul Stanley
28 years after his first solo effort (1978′s Paul Stanley, which was part of the ‘KISS Goes Solo’ stunt), Paul is back! And the results? Well, it’s not KISS, but it’s still good. The album is very slick with modern rock/pop sound. Essentially, it’s what I expected a solo Paul Stanley album to sound like in the new millennium. I like it and listened to it over and over when it was first released and Paul’s voice still sounds great.
It got knocked by a lot of people for being too soft, but it’s PAUL STANLEY. You know… Starchild? You were expecting a heavy metal album? This is just a modern take on all of the pop rock songs Paul has been writing in KISS for decades, though it does retain it’s own identity. This is not Paul trying his best to sound like KISS, it’s Paul being Paul and that’s good enough for me.
Hopefully, we won’t have to wait another three decades until his next solo release.
Highlights: “Live to Win”, “Lift”, “Wake Up Screaming”, “Bulletproof”, “All About You”, “Second to None”, “It’s Not Me”, “Where Angels Dare”





