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Def Leppard – X
Def Leppard – X (2002, Island Records)
1. “Now” … 3:58
2. “Unbelievable” … 3:58
3. “You’re So Beautiful” … 3:31
4. “Everyday” … 3:08
5. “Long Long Way To Go” … 4:38
6. “Four Letter Word” … 3:07
7. “Torn to Shreds” … 2:56
8. “Love Don’t Lie” … 4:46
9. “Gravity” … 2:33
10. “Cry” … 3:17
11. “Girl Like You” … 2:49
12. “Let Me Be the One” … 3:29
13. “Scar” … 4:59
Band:
Joe Elliott – lead vocals
Rick “Sav” Savage – bass guitar, vocals
Rick Allen – drums
Vivian Campbell – guitar, vocals
Phil Collen – guitar, vocals
Producer: Pete Woodroffe & Def Leppard
It’s been a long time coming but I finally sat down and gave this album another spin. I bought it as soon as it came out and probably gave it 4 or 5 spins before deciding it was a disappointing follow-up to Euphoria. 9 years later, I’m listening to it again. I would’ve actually checked it out (again) a few years earlier but I lost my copy and finally snagged another copy a year or two ago.
Euphoria was no slouch of an album. It’s their most recent album to go gold, “Promises” was a minor radio hit, the album was hailed as a return to form by fans & critics alike after the alternative leanings of Slang and the band was all over VH1 at the time enjoying the renewed popularity that many “eighties bands” were experiencing.
So why, then, did the band go in yet another direction by turning in their poppiest, softest-rocking album to date? Well, I guess the lure of the almighty dollar was just too much. Sure, they sold 500,000 copies of the last album but what about going double platinum like Bon Jovi did?
Obviously inspired by the success of Bon Jovi’s Crush and “It’s My Life”, Def Leppard recruited some of the very same songwriters that the boys from Jersey had partnered with on that 2000 release. Names like Max Martin, Andreas Carlsson and Wayne Hector were all over the place in the late ’90s/early ’00s as they wrote hits for a number of boy bands like Backstreet Boys and pop tarts like Britney Spears. The band was obviously content to just let the “hits” come to them as not a single member had a hand in writing “Unbelievable” or “Long Long Way to Go”!
It blew my mind at the time that Def Leppard was able to recover from the cold response for Slang by handing in Euphoria (one of their best albums, IMO) and then do another turnaround with X. I actually lost a bit of respect for the band at the time because it was such an obvious cash grab and phony attempt at staying relevant.
Nine years on, my judgment isn’t as clouded and I can look back and say there are a number of good tracks on this album despite a few tracks where the band tries to play the role of a boy band. Funny thing is, the songs I ended up liking most are on the first half of the album — the half that features lots of outside co-writing credits! Tracks 6-13 were all written by the band with only producer Pete Woodroffe stepping in to co-write a few songs.
The one song I instantly loved off this album was “Now”. To me, that is a classic Def Leppard sounding song and actually does sound like something to follow-up Euphoria with. “Scar” is another very good guitar-oriented song that rocks a bit harder than the rest and sounds close to something they might’ve done in the ’80s.
The album is full of mid-tempo numbers and ballads. It’s a complete pop album but I have a lot more respect for it now. It’s not a classic but it’s not bad at all and I upgrade it to “decent” and remove it’s previous status of “bland”. Maybe I’m going soft.
Highlights: “Now”, “Unbelievable”, “You’re So Beautiful”, “Everyday”, “Love Don’t Lie”, “Cry”, “Scar”
http://www.defleppard.com
http://www.facebook.com/defleppard
Buy ‘X’ on Amazon.com!
Marvelous 3 – Hey! Album
Marvelous 3 – Hey! Album (1998, Elektra Records)
1. “You’re So Yesterday” .. 3:56
2. “Freak of the Week” … 3:20
3. “Until You See” … 4:20
4. “Write It On Your Hand” … 3:23
5. “Let Me Go” … 3:21
6. Every Monday” … 3:06
7. “Indie Queen” … 4:52
8. “#27″ … 2:51
9. “Mrs. Jackson” … 3:33
10. “Over Your Head” … 3:40
11. “Vampires In Love” … 4:01
12. “Lemonade” … 6:42
Band:
Butch Walker – Vocals, Guitar
Jayce Fincher – Bass
Doug Mitchell (aka – Mitch “Slug” McLee) – Drums
Producer: Butch Walker & Jim Ebert
The second album (first major label release) from the short-lived but fantastic power pop/rock group Marvelous 3. It was the only album to produce a hit single (“Freak of the Week”). I knew nothing about this band or album or “Freak of the Week” until I picked up ReadySexGo two years later but when I backtracked and bought this album, I ended up loving it almost as much as I love ReadySexGo.
Released in October of ’98, the album was actually self-released in early ’98 but then Elektra signed the band and the album was remixed and a few songs were dropped/added. “Cold As Hell” was on the original version of the album and later found its way onto ReadySexGo.
I don’t really know what to tell you if you can’t get into this album. Marvelous 3 is one of the catchiest bands of all time. Every song is a sing-along, whether it’s bombastic anthems like “Freak of the Week” and “You’re So Yesterday” or melancholy moments like “Until You See” and “Let Me Go”. Butch is a great vocalist and great lyricist. I’ve always loved the sense of humor, wordplay, self-deprecation and teenage emotions that come through in his lyrics. Sample from “Vampires In Love”: And now you know that I suck at this/and you suck at it too/And now we’re nothing more than/vampires in love
How this band never went on to sell millions of albums I’ll never know. Butch went on to become a successful songwriter/producer but he’s gone on a totally different path as a solo act, which is a shame. Anyone that’s a fan of power pop should love this album.
Highlights: “You’re So Yesterday”, “Freak Of The Week”, “Until You See”, “Write It On Your Hand”, “Let Me Go”, “Every Monday”, “Indie Queen”
Bon Jovi – Greatest Hits – The Ultimate Collection
Bon Jovi – Greatest Hits – The Ultimate Collection (2010, Island Records)
Disc 1
1. “Livin’ on a Prayer” … 4:13
2. “You Give Love a Bad Name” … 3:46
3. “It’s My Life” … 3:46
4. “Have a Nice Day” … 3:48
5. “Wanted Dead or Alive” … 5:11
6. “Bad Medicine” … 5:16
7. “We Weren’t Born to Follow” … 4:03
8. “I’ll Be There for You” … 5:46
9. “Born to Be My Baby” … 4:40
10. “Blaze of Glory” … 5:40
11. “Who Says You Can’t Go Home (Duet With Jennifer Nettles)” … 3:50
12. “Lay Your Hands on Me” … 3:49
13. “Always” … 5:56
14. “Runaway” … 3:53
15. “What Do You Got?” … 3:47
16. “No Apologies” … 3:44
Disc 2
1. “In These Arms” … 5:19
2. “Someday I’ll Be Saturday Night” … 4:39
3. “Lost Highway” … 4:04
4. “Keep the Faith” … 5:46
5. “When We Were Beautiful” … 4:10
6. “Bed of Roses” … 6:38
7. “This Ain’t a Love Song” … 5:06
8. “These Days” … 6:27
9. “(You Want To) Make a Memory” … 4:36
10. “Blood on Blood” … 6:16
11. “This Is Love, This Is Life” … 3:25
12. “The More Things Change” … 3:53
I’m a huge Bon Jovi fan. They’re one of my favorite bands, which is funny because I really can’t stand their last few albums and their shift towards country and adult contemporary rock/pop. Also, I’ve become somewhat jaded because it’s more obvious than ever that the band is really a brand and it’s completely Jon’s show to run. I think as he’s getting older, Jon has started to come off as a bitter guy for whatever reason, he denounces the ’80s hair metal scene they were fully-fledged members of at one time and he just seems to be on a power trip with only Richie having the smallest say in what the band does. To me, their last decent effort was 2002′s Bounce and with a few song exceptions, anything they’ve done since has been extremely bland and lacks the hooks and catchy choruses they built their name on in the ’80s and ’90s.
So anyway, this is the band’s fourth compilation album. Though to most fans, it’s really more like their second legit straight-forward compilation. 2003′s This Left Feels Right was an acoustic reworking of many of their best known songs and 2001 saw a Japan-only greatest hits released called Tokyo Road. The very first compilation was Cross Road. It was released in 1994 so given that the band has had a number of hit songs and albums since then, it was definitely time for another recap.
The tracklist is pretty solid. Sure there are personal favorites I could say I would have liked to seen included but keeping with the “greatest hits” theme, the album does it’s job. Especially in the Ultimate Collection form. It reads like a set list of what you would probably hear the band play in concert these days. I was caught off guard by “Someday I’ll Be Saturday Night” (which was a new song included on Cross Road) and These Days getting two songs included but it’s cool because I like all three of those songs. The only studio album not represented on any of the U.S. releases is 7800° Fahrenheit (“In and Out of Love” and “Tokyo Road” appear on international versions).
There are a few different versions of this album. First there is the simply titled Greatest Hits, which is just disc one (featuring two new songs). Then there is Greatest Hits – The Ultimate Collection which features a second disc (and two more new songs). Then there’s also a Target edition of Greatest Hits which has all of disc one plus live versions of “Diamond Ring” and “We Weren’t Born to Follow”. Then the iTunes version features all the material from disc one and two plus a 5th new song called “This Is Our House”.
I definitely wanted The Ultimate Collection because all four new songs were slowly being released on the band’s website for streaming and I liked them all a lot. Someone pointed out to me that they all sounded like modern Bon Jovi (which we’ve already covered I don’t like) and I guess they are right. Maybe I’m just ready to like Bon Jovi again? Who knows! “What Do You Got?” is my favorite of the new songs but I think they’re all good. Maybe not songs that can compare to their classics but very good for modern day Bon Jovi, I think. So I’m happy with my purchase. I’m enjoying the new stuff and while I don’t usually bother listening to compilations these days, you really can’t go wrong with a collection of Bon Jovi’s greatest hits.
http://www.bonjovi.com
http://www.facebook.com/BonJovi
http://www.myspace.com/bonjovi
Bad City – Welcome to the Wasteland
Bad City – Welcome to the Wasteland (2010, Atlantic Records)
1. “Showdown in Central Park” … 4:40
2. “Take Me For A Ride” … 3:43
3. “Do You Believe In Rock N Roll” … 3:44
4. “Wildlife” … 4:17
5. “Fire In The Pouring Rain” … 3:56
6. “Call Paul Stanley” … 4:38
7. “Heatwave” … 3:34
8. “Look Out!” … 4:55
9. “Touch” … 3:36
10. “Straight To The Grave” … 4:01
Band:
Josh Caddy – Vocals
Max Perenchio – Guitar
Tom Schleiter – Guitar
Jake Serek – Bass
Kevin Kane – Drums
Producer: Johnny K
This band was completely under my radar until just a few weeks ago. You know the major labels are in trouble when they’re actually signing bands that sound like old school arena rock. I can’t believe Atlantic Records released this album in 2010! Let me state that this album is not a complete throwback to the ’80s though. The sleaze rock, pop-metal, power pop and stadium rock influence is felt throughout this album (check out those gang vocals and huge choruses!) but there is also a modern and alternative rock/pop sound to the group as well.
Put it this way, both Paul Stanley AND Billy Corrigan are championing this band and album as the best things to come along in rock music for quite some time, so that should tell you their sound doesn’t swing one way or another completely but what is complete about this album is the addictive hooks and infectious melodies. This album should appeal to a variety of rock fans. Songs like “Showdown in Central Park”, “Wildlife” (sleazy pop metal at its finest) and “Do You Believe in Rock and Roll” are for the ’80s rock/metal fan, “Call Paul Stanley” is a great rock ‘n’ roll anthem that would go down well in front a huge arena/stadium crowd, “Fire In The Pouring Rain”, “Touch” and “Heatwave” will appeal to fans of modern rock/pop.
Bad City is definitely a new band I intend to keep an eye. It’s a shame this album almost passed me by! I only discovered the band because someone posted a link to their “Wildlife” song on a message board. Typically for this kind of music these days, the album isn’t exactly burning up the charts but hopefully they’ll be around for years to come. Chock full o’ hooks and anthems, Welcome to the Wasteland is one of 2010′s best releases and sadly it will be ignored for the most part. Someone like KISS or Bon Jovi or Motley Crue need to have these guys open for them so they can get exposed to the right market and build a solid following.
Highlights: “Showdown in Central Park”, “Wildlife”, “Fire In The Pouring Rain”, “Call Paul Stanley”, “Heatwave”
http://www.myspace.com/badcitymusic
http://www.facebook.com/badcity
DANKO JONES – Below The Belt
Danko Jones – Below The Belt [European Import] (2010, Bad Taste Records)
1. “I Think Bad Thoughts” … 3:31
2. “Active Volcanoes” … 3:35
3. “Tonight Is Fine” … 4:21
4. “Magic Snake” … 3:19
5. “Had Enough” … 3:42
6. “(I Can’t Handle) Moderation” … 3:04
7. “Full Of Regret” … 3:58
8. “The Sore Loser” … 2:59
9. “Like Dynamite” … 3:14
10. “Apology Accepted” … 3:30
11. “I Wanna Break Up With You” … 4:56
Band:
Danko Jones – Vocals, Guitar
John Calabrese – Bass
Dan Cornelius – Drums
Producer: Matt DeMatteo
I’ve been curious about Danko Jones for awhile. I’ve heard good things about them (him?) for years and have checked the MySpace page from time to time but never got around to picking an album. A few weeks back I went to their Myspace page again and really got hooked on a number of their songs and decided to give their latest effort a try.
I really enjoy the lyrics to these songs, there’s not many bands whose lyrics I worry about reading anymore (that seems to have been more of a teenage thing for me) but I have been paying attention to the lyrics on this album just because they’re so humorous and witty. There’s a certain swagger to Danko’s vocal delivery and definitely a sense of humor in himself and the lyrics that remind me of a band like Marvelous 3.
As for what this band sounds like — it’s like classic rock, hard rock, modern rock, rock/pop and punk/pop all rolled into one. Even before noticing they cited these influences themselves, it was readily apparent to me that these guys are huge fans of AC/DC and Thin Lizzy. This isn’t retro rock though, this is an updated take on good time rock ‘n’ roll.
“Full Of Regret” really blew me away, strong Thin Lizzy influence on this one. From the collection of songs I’ve heard from this band, it’s easily one of my favorites they’ve done. It is also because of this song I was led back to their MySpace page because it was offered as a free download a few months ago, I can’t remember whether that was through their own website or not though. I think maybe it was on Amazon. So there ya go, I’m proof positive that giving away something free every now and then to music fans can actually turn out to be quite profitable.
All of these songs are high energy affairs. I supposed All Music guide might tag this album as “rowdy”, “raucous” and “guys night out”! If you’re getting ready for a night out on the town of booze, women and possibly a few fist fights — this is the album for you because this album covers all those topics though most of it seems to deal being in or getting out of a bad relationship. Hm, is someone getting their issues out in their songs?
Below The Belt may not be “metal”, but it’s definitely hard rock and one of my favorite releases of 2010 and I plan on picking up some earlier releases now.
My particular copy is a European import but I don’t think it differs from the North American version. The jewel case is a “Super Jewel Box” which is really cool with rounded corners and the case snaps shut and has a button you have to press to open it. Seems a bit sturdier than the standard jewel case too and the CD sits deep in the CD tray. I wish all jewel cases were like these!
Highlights: “I Think Bad Thoughts”, “Tonight Is Fine”, “Had Enough”, “Full Of Regret”, “The Sore Loser”, “Apology Accepted”
ALEXX CALISE – In Avanti
Alexx Calise – In Avanti (2010, self-released)
1. “Anything Goes” … 3:37
2. “Break Me” … 3:37
3. “Cry” … 3:12
4. “Get Used To It” … 3:36
5. “Good Enough (The Dirty South Mix)” … 3:09
6. “My Song (Version 2.0)” … 3:09
7. “Out of Sight” … 3:34
8. “Saying Goodbye” … 3:37
9. “See You Again” … 4:30
Last year I reviewed Alexx Calise’s 2007 release Morning Pill. It was a good collection of radio-ready rock and pop and In Avanti is more of the same. Actually, I’m enjoying In Avanti a lot more Morning Pill, it’s just a stronger record that speaks volumes of Ms. Calise’s growth as a singer, musician and songwriter and is full of hooks and melodies that keep me coming back for more. I said in the past that Alexx was at her best when rocking out and luckily that’s what she does throughout most of this release. The album only slows down a bit for the ballads “Cry”, “Out of Sight” and “See You Again” but they are all well done, so it’s not a problem.
There’s really no reason this album shouldn’t gain Alexx even more attention. The album is made up of songs that are what I like to call “hard rock pop”. The songs are heavy enough to be considered rock songs and get on modern rock radio but they also have slick electronica dance beats that would make them sound right at home on the pop stations. It’s quite a balancing act that Alexx has mastered. My favorite tracks would have to be “Anything Goes” which was a great choice to open the album and go full throttle right from the start and “Out of Sight”, which reminds me of Evanescence.
Oh and if you’ve listened to Morning Pill and think ”My Song (Version 2.0)” seems familiar, you’re right. It is an updated version of “My Song”. Often times when an artist revisits and updates past songs, it doesn’t work but his version is an improvement, it’s a powerful club rocker.
At nine songs, Alexx Calise does not wear out her welcome and leaves you wanting more. I wish more albums would be this lean! She is becoming quite the accomplished singer just as capable to sound pretty over dance & pop beats as she is to let her voice soar over crunching guitars. Anyone who doesn’t mind a modern sound and enjoys melodic hard rock should find this an enjoyable listen.
Highlights: “Anything Goes”, “Cry”, “Get Used To It”, “Good Enough (The Dirty South Mix)”, “My Song (Version 2.0)”, “Out of Sight”
SLASH – Slash
Slash (2010, EMI Label Services/Dik Hayd Records)
1. “Ghost” … 3:34
2. “Crucify the Dead” … 4:04
3. “Beautiful Dangerous” … 4:35
4. “Back from Cali” … 3:35
5. “Promise” … 4:41
6. “By the Sword” … 4:50
7. “Gotten” … 5:05
8. “Doctor Alibi” … 3:07
9. “Watch This Dave” … 3:46
10. “I Hold On” … 4:10
11. “Nothing to Say” … 5:27
12. “Starlight” … 5:35
13. “Saint is a Sinner Too” … 3:28
14. “We’re All Gonna Die” … 4:30
Musicians:
Slash – Guitar
Duff McKagan – Bass (Track 9)
Lemmy Kilmister – Vocals, Bass (Track 8 )
Chris Chaney – Bass (Tracks 1-8, 10-14)
Dave Grohl – Drums (Track 9)
Josh Freese – Drums (Tracks 1-8, 10, 11, 13, 14)
Leonard Castro – Percussion (Tracks 1, 3-7, 10, 14)
Izzy Stradlin – Guitar (Track 1)
Eric Valentine – Piano, Keyboards
Ian Astbury – Vocals (Track 1)
Ozzy Osbourne – Vocals (Track 2)
Fergie – Vocals (Track 3)
Myles Kennedy – Vocals (Tracks 4 & 12)
Chris Cornell – Vocals (Track 5)
Andrew Stockdale – Vocals (Track 6)
Adam Levine – Vocals (Track 7)
Kid Rock – Vocals (Track 10)
M. Shadows – Vocals (Track 11)
Rocco DeLuca – Vocals (Track 12)
Iggy Pop – Vocals (Track 13)
Producer: Eric Valentine
Well, it’s finally here: “Slash & Friends” (the original working title for this project). The few reviews I’ve read are mixed. Some “fans” were crying out that it sucked and Slash had sold-out before it was even released and now that it has been released typically those same “fans” are still saying it sucks and Slash is a sell out. Then you have Classic Rock magazine, who has claimed it’s the first great rock album of the decade. This might sound like mighty fine praise to some but given that the album was released in April 2010 the statement seems less impressive and sounds more like hyperbole to help promote an album they have a vested interest in (the album was a free UK-exclusive gift with a special Slash-themed issue of Classic Rock).
For my money ($7.99 + free shipping from BestBuy.com!), this is indeed a great album and I don’t really get the “sell out” criticisms. Why is he a sell out? Because a GIRL sings on this album? Fergie has a great voice for rock ‘n’ roll and she proves it on “Beautiful Dangerous”. If anything, I can see maybe cries of selling out coming from Maroon 5′s Adam Levine singing “Gotten”. It’s a decent song but if I didn’t know better, I’d say it was a Maroon 5 song. Not much rock to it at all other than the solo. Then again, Slash has always flirted with pop stars. He’s a guy that doesn’t like to pigeon hole himself and goes to play with whoever wherever he thinks he’ll have fun. Nothing wrong with that. He’s not a sellout, he’s just not close-minded.
For the most part, it seems like every song was written with that song’s particular singer in mind. I know Slash already had ideas for songs before enlisting the troops but I’m also sure the songs were tailored to suit the vocalists. “Ghost” sounds like The Cult, “Crucify the Dead” sounds like the best Ozzy song in the last decade at least, “Promise” sounds like something Chris Cornell would have done in Audioslave, “Nothing to Say” could have been on Avenged Sevenfold’s last album and so on and so on. In a way, this is somewhat disappointing for those that were looking forward to a bluesier guitar hero effort or for something similar to Guns N’ Roses from Slash. There is NOTHING here that brings to mind anything GNR has done. I’m okay with that but maybe some backlash stems from people wanting Slash to have delivered something more akin to the original GNR since Axl has moved the hired Guns into heavier more industrial terrain.
Slash claims this is a rock album and for the most part he’s right but songs like “Gotten” and “Saint is a Sinner Too” are pure pop that I can’t imagine Slash would be playing without the chosen vocalists. I was worried myself when I saw the guest list for this album. The participants just seem so over the place I thought it would all be a big mess. Definitely not the case and there’s a surprisingly low amount of filler with the two Myles Kennedy songs “Back from Cali” and “Starlight” being the only ones that really fall short with me. Kennedy is from the band Alter Bridge and he’s the only singer that has two songs and I’m sure it’s because he’s the singer for Slash’s touring band while promoting this album.
Everything else is decent at the very least while “Nothing to Say” featuring Avenged Sevenfold’s M. Shadows and the album’s lead “By the Sword” featuring Wolfmother’s Andrew Stockdale are my favorites. “By the Sword” has a cool Led Zeppelin/Pink Floyd classic hard rock sound to it.
Despite Slash’s insistence that this is a rock album, there’s a bit of genre jumping and he dips his feet (fret?) into the pop realm but it’s only done so in order to fit the singers. Even though this is a self-titled affair, Slash really isn’t the star here. There’s some good solos on this disc but this album isn’t built around them. It’s all about the songs as a whole and Slash (and friends) has delivered a very satisfying release that is much better than anything he did the first time he went “solo” with Slash’s Snakepit.
I do have two disappointments though: Dave Grohl drums on the album but does not sing (he apparently has a thing against singing on other peoples’ albums) and the U.S. version of this album does not feature “Baby Can’t Drive” featuring Alice Cooper and The Pussycat Dolls’ Nicole Scherzinger. It’s a pretty cool song so what gives ?!
Highlights: “Ghost”, “Crucify the Dead”, “Beautiful Dangerous”, “By the Sword”, “Watch This Dave”, “Nothing to Say”
http://www.slashonline.com/
http://www.myspace.com/slash
Buy it at Amazon.com
Buy it at CD Universe
ROCK SUGAR – Reimaginator
Rock Sugar – Reimaginator (2009, self-released)
1. “Don’t Stop the Sandman” … 5:00
2. “We Will Kickstart Your Rhapsody” … 5:44
3. “Crazy Girl” … 3:46
4. “Voices in the Jungle” … 4:32
5. “Here Comes the Fool You Wanted” … 5:36
6. “Shook Me Like a Prayer” … 4:48
7. “Straight to Rock City” … 4:11
8. “Prayin’ for a Sweet Weekend” … 4:56
9. “Heaven and Heaven” … 4:38
10. “Breakin’ the Love” … 3:27
11. “I Love Sugar on Me” … 3:31
12. “Round and Separated” … 5:37
13. “Dreaming of a Whole Lotta Breakfast” … 4:04
Band:
Jess Harnell – Lead Vocals
Chuck Duran – Guitar, Bass, Backing Vocals, Lead Vocals (“Prayin’ for a Sweet Weekend”)
Alex Track – Drums, Keyboards, Backing Vocals
Producer: Rock Sugar
I can’t remember how exactly I came across this band but I remember months ago checking out their music video for “Don’t Stop the Sandman” and falling in love with what Rock Sugar was doing. And just what are they doing? Well, there’s an intentionally silly back story given to the band (ala Steel Panther or old school Fozzy) but the real deal is that they take one, two, three (or four!) completely different songs from the ’80s and rearrange them as one. This is where the album’s title Reimaginator comes into play.
Mash ups have been growing popular for years and you can find tons of them all over YouTube but this is the first I’ve heard of a band seamlessly recording the rearranged songs themselves (as opposed to the majority of mash up creators who just do some tricky editing on their computers with the original artists’ versions).
I hate to give away any of these mash ups (though some titles may be easier to figure out than others) but to give you an idea: “Don’t Stop the Sandman” is a hybrid of Metallica’s “Enter Sandman” and Journey’s “Don’t Stop Believin’”. And guess what? It works! There are more than a few surprise rearrangements as the world of rock ‘n’ roll meets pop. “Shook Me Like a Prayer” is one of my favorite tracks and features TWO AC/DC songs plus Madonna’s “Like a Prayer”. The result is amazingly fun!
For such a variety of voices to cover, vocalist Jess Harnell does a great job. It’s not easy to convincingly play the role of the likes of Axl Rose, Bryan Adams, James Hetfield, Steve Perry and Joe Elliot. His own vocal style comes through though of course, this isn’t a tribute group after all and his own style doesn’t disappoint. The production is just wonderful as well. I often don’t comment on the production of albums just because I don’t really have trained ears to do so but sometimes it is so good you can’t help but notice and that is the case here.
Rock Sugar is a project from three of the four members of Loud & Clear. Bassist Johnny Five has joined Rock Sugar since the recording of the album so I’m not sure if Loud & Clear is on hold or what but I hope there are plans for more “new” Rock Sugar material. There’s so many other classics out there and if any one is going to re-imagine them, I want it to be Rock Sugar!
Reimaginator is one of the most fun albums I’ve heard in awhile. A true feel good album, you can’t help but sing along to these mashed up anthems. Well worth picking up.
Highlights: “Don’t Stop the Sandman”, “Here Comes the Fool You Wanted”, “Shook Me Like a Prayer”, “Straight to Rock City”, “Prayin’ for a Sweet Weekend”, “Heaven & Heaven”, “Breakin’ the Love”, “I Love Sugar On Me”
http://www.rocksugarband.com
http://www.myspace.com/rocksugar
DEF LEPPARD – On Through the Night
Def Leppard – On Through the Night (1980, Mercury Records)
1. “Rock Brigade” (3:09)
2. “Hello America” (3:27)
3. “Sorrow Is A Woman” (3:54)
4. “It Could Be You” (2:33)
5. “Satellite” (4:28)
6. “When the Walls Came Tumbling Down” (4:44)
7. “Wasted” (3:45)
8. “Rocks Off” (3:42)
9. “It Don’t Matter” (3:21)
10. “Answer to the Master” (3:13)
11. “Overture” (7:44)
Band:
Joe Elliott – Lead Vocals
Steve Clark – Guitar, Backing Vocals
Pete Willis – Guitar, Backing Vocals
Rick Savage – Bass, Backing Vocals
Rick Allen – Drums, Backing Vocals
Additional Musicians:
Chris Hughes – Synthesizer
Produced by: Tom Allom
Wait… What is this? Is this a Def Leppard album? Is this HEAVY METAL? “Yes” to both questions!
Despite Joe Elliott’s statements that Def Leppard were NEVER “heavy metal” (Seriously, Joe, are you trying to convince the fans or yourself?), this is indeed a heavy metal album. New Wave of British Heavy Metal, to be exact. I didn’t buy this album until far into being a fan of Def Leppard. I loved the “Mutt Lange sound” so much that hearing them do heavy metal wasn’t a top priority for me.
I’ve probably owned this album for about 7 or 8 years now and while I rarely listen to it, it’s a definite NWOBHM classic. I prefer the pop metal/glam rock sound the band would later evolve to, but you can’t deny the power behind metal classics like “Rock Brigade”, “It Could Be You”, “Rocks Off” and “Wasted” (my favorite song from this album). IF the band had continued in this heavy metal direction, they would’ve been doing just fine. More than likely, they wouldn’t have been as popular, but they could’ve been a great heavy metal band nonetheless.
You can really see how far Joe has come as a vocalist. He’s got the generic NWOBHM whiny/nasally vocals down here, but it pales in comparison to what he would do later. He’s not necessarily a great singer, but I’ve always enjoyed his voice.
Nearly 30 years after this album’s release, there are still some rock fans who call out for Def Leppard to “return to their roots” and get all New Wave of British Heavy Metal on us. Well, I think it is time to STOP saying that!
It’s been DECADES since On Through the Night and High ‘n’ Dry (which was somewhat of a bridge between this album and Pyromania anyway) and they were their first two albums. Many bands evolve as they continue to tour and record. Sometimes their “roots” aren’t really afforded the opportunity to shine until the band has proven themselves as a solid and bankable act. How many bands can say they sound exactly like they did on their first release? And would that even be a good thing to say? As far as I’m concerned, the sound they put in motion with legendary producer Mutt Lange is their “roots”. That sound has more in common with the glitter & glam rock they grew up on than this album does.
Longtime Judas Priest producer Tom Allom sat in the chair for these sessions. Not surprisingly, the band has kind of turned their back on this album, even going as far to say that High ‘n’ Dry is their first “real” release.
Highlights: “Rock Brigade”, “Sorrow Is A Woman”, “It Could Be You”, “When the Walls Came Tumbling Down”, “Wasted”, “Rocks Off”
VAN HALEN – OU812
Van Halen – OU812 (1988, Warner Bros. Records)
1. “Mine All Mine” … 5:11
2. “When It’s Love” … 5:36
3. “A.F.U. (Naturally Wired)” … 4:28
4. “Cabo Wabo” … 7:04
5. “Source of Infection” … 3:58
6. “Feels So Good” … 4:27
7. “Finish What Ya Started” … 4:20
8. “Black and Blue” … 5:24
9. “Sucker in a 3 Piece” … 5:52
10. “A Apolitical Blues” … 3:50
Band:
Sammy Hagar – Lead Vocals, Guitar
Eddie Van Halen – Guitar, Keyboards, Backing Vocals
Michael Anthony – Bass, Backing Vocals
Alex Van Halen – Drums, Percussion
Produced by: Van Halen and Don Landee
Van Hagar Halen continues their descent into the “adult contemporary” genre, just take a look at that cover and tell me it doesn’t scream “BORING”. Looks like something from the ’60s or ’70s. It started with the band’s debut with Hagar on 1986′s 5150 (which was actually was a really good slick hard rock/pop album), but this time that fun vibe that album continued over from the David Lee Roth era is gone.
Sure, some of the good time subject matter is still here (sex, booze, partying in general), but it seems a bit more grown up and dark, if that’s possible when talking about having a good time. The album is definitely lifted by the great pop ballad “When It’s Love” and the awesome country-picking of “Finish What Ya Started” (two of my favorite Van Hagar songs).
OU812 is a really odd departure for the band that never really gets out of 2nd gear outside of “Source of Infection”, which sounds like the hard rockin’ Van Halen of old. Even more odd when you consider this album is sandwiched in between the two most fun and most Roth-like Van Hagar albums: 5150 and For Unlawful Carnal Knowledge.
Highlights: “Mine All Mine”, “When It’s Love”, “Source of Infection”, “Feels So Good”, “Finish What Ya Started”
